The Canal(Liaocheng) The Changes Of Three Kinds Of Folk Music Research

The canal, the communication between the north and the south of the Bei jing-Hangzhou grand canal in China. It is a north south food, travel and transportation, military deployment, the lifeline of water and irrigation. Leisurely thousands of carrying water for the thousands of miles, as ancient traffic artery. She nourished the coastal people, gave rise to a place and canal city, forming a unique economic belt along the canal, at the same time to absorb, along with various local features and ethnic characteristics of civilization, culture with deep accumulation and left behind the science and technology, economic, social, and landscape lamp material cultural heritage of many aspects, and local opera, folk customs and other kinds of intangible cultural heritage, has formed the unique historical and cultural corridor. Based on was the canal wharf of liaocheng, linqing both three kinds of folk music culture(linqing driving drum, yangko canal, five ghost make sentence)research, clarify the canal’s impact on their development and propagation, survival. At present, three kinds of music culture has been included in the provincial and city-level intangible cultural heritage, their research has great significance to protect the traditional culture, on the other hand, the old ships continue, commercial prosperity of the canal is gone, hundreds of years to the canal and the canal of the other music culture in the survival and development, also is a new generation of we have a responsibility to protect the canal culture do you things.The article is divided into five parts on the music culture study three canal:The first chapter for the introduction part, elaborated the selected topic origin, purpose, significance, research status and research methods on the macro command of the whole thesis framework.The second chapter, it is the end the evolution of the canal in shandong liaocheng, linqing both development situation at that time, they are influenced by the canal, the change can be as the music culture to take root, sprout, fusion and development provide effective historical background.The third chapter, is the study of linqing driving drum, starting from the origin of the driving drum several possibilities, combing the development venation, and on the basis of investigation in the field of driving drum body(including the types of Musical Instruments, performance, music, music features) analysis, can give readers a comprehensive understanding of the driving drum.Chapter iv, a prototype of brake beam village "canal yangko" "umbrella dance" the origin and development of comb, then clarify the canal yangko the formation process of complex forms. Knowing that the canal yangko, on the basis of the whole process of change, the props, Musical Instruments, role, arenas, such as to calling for the development of yangge canal more optimistic.Chapter 5, is to have gradually lost five ghosts to research, folk art in numerous music culture it can be said to be influenced by the canal, the research mainly focus on the source, in the evolution of linqing, performance characteristics, study on cultural connotations, let more people to understand it, save it. In this chapter to represented by three kinds of folk music culture of the canal also puts forward some ideas about the protection and inheritance of culture, hope that through the efforts of all aspects, unique cultural characteristics of the canal can continue to flow.