| In the 1980 s, with the reform and opening-up policy, all kinds of art in the world is flooding the domestic, and at that time, domestic art appeared many outstanding works of art.After "five-year", but also have a lot of western avant-garde art ideas, concepts, and form into doors, artists and art lovers speed to absorb the nutrients, spawned many excellent contemporary works. Here art theory, however, is still "west to east", always can’t get rid of a western schizotypal binary mode of thinking. For the "introduces", in the western aesthetic concept holds the main voice today, traditional Chinese aesthetics by western aesthetic concepts and the double pressure of Chinese contemporary art, is not, "aphasia", gradually to the edge. This is very regret. Today, Chinese contemporary art is booming with their own characteristics and trajectory, a kind of "the Being of Non-being" unique thinking and feeling good always appear in the Chinese contemporary art works of art.Under the background of Chinese contemporary art, as I mentioned that the Chinese traditional aesthetics has occurred under the circumstances of Chinese contemporary art has "aphasia" of Chinese traditional aesthetics will go? So, it is imperative to the contemporary transformation of traditional Chinese aesthetics is, is also very important. We can pass through one of the most influential in the Chinese contemporary art theory of "meaning" to talk about the transformation of the traditional Chinese aesthetics. If you look at the basis of binary opposition in the west, review of the present linguistic context of Chinese contemporary art, total felling YanBuJinYi, can’t figure out the subtle, the viewer and the author agree with the key. Then, interpretation of Chinese contemporary art, especially in the Oriental way of thinking or type of art, a kind of different from and even beyond the binary opposition of the western, nonlinear, able to interpret the artist’s semantic and contextual comments system becomes natural and is particularly important.This article explores from "Tao" to "Yi", from "Yi" to "image", from "image" to "artistic conception" to "Yi Pai" is put forward, the transformation of the traditional Chinese aesthetics in the era of "Yi Pai" and its variant, ease to understand is similar to Chinese traditional form or embodies the art form of some eastern thought hard misappropriate, unable to agree withthe embarrassment of meaning. As a "new narrative method theory" and "visual art aesthetics",the establishment of the theory of "Yi Pai" of the contemporary transformation of traditional Chinese aesthetics provides a new possibility, also open a new perspective for Chinese art critic. |
