Research On The Application Of Contemporary Freehand Figure Woodcut Element

With the great progress of the society, economy and culture to flourish, China art is also in constant progress since the reform and opening up policy in 1978, freehand brushwork figure painting on the development and innovation of big, fusion of different drawing betweenreference and is increasingly becoming a problem painters have to think about. Will be integrated into some elements of black and white woodcut prints in art is a new direction of freehand figure painting innovation in practice. Between the two, from its spirit connotation,woodcut prints to master the use of black and white contrast rules to reflect the black and white spirit, its blade embodies the uniqueness of woodcut printmaking, Chinese freehand figure painting to ink embodies its spirit connotation. From the point of view of the essence ofpainting language, are expressed through the relationship between black and white ash, there are different approaches but equally satisfactory results of the wonderful, but appears between the two visual effects are not the same, woodcuts showing a strong intensity of the United States, Chinese freehand figure painting showing implicit beauty and artistic beauty.From its means of expression, between the two is through the point line surface performance,is essentially the same, but there are also differences between the two, Chinese freehand figure painting to highlight the text,pay attention to the expression of the humanities connotation, woodcut with a knife ghost, highlight the taste knife, pay attention to the screen in the form of beauty! There are differences between the two, and there are generality.Therefore, on the basis of this the author takes Li Boan freehand figure painting as an example to analyze the application of freehand figure woodcut element.The first chapter is divided into two aspects of interpretation, one is the author of a summary of the current situation of the development of contemporary freehand figure painting, two of the woodcut elements of the abstract level summary, induction and analysis.The second chapter is the commonness and differences from the woodcut elements and feeehand brushwork figure painting, background of the woodcut element is introduced byfreehand brushwork figure painting.The third chapter to Li Boan freehand figure painting works for the use of case analysis offreehand figure woodcut element. Is a key part of this article, is divided into two parts, the first part explains mainly from the woodcut element unique black generalization techniques and the use of a unique form of reference point line and plane elements. The second part is mainly about the Li Boan character woodcut element application for the analysis of contemporaryfreehand figure painting creation inspiration.The fourth chapter is the practice of practice. this idea, starting from their own, to make a concrete analysis of the author’s creation.In the conclusion part, is the conclusion part of the whole article, has the certain enlightenment significance of using woodcut element in figure painting on ContemporaryChinese painting creation, but also should pay attention to grasp the "degree" of the change.