| Also freehand in contemporary claboratestyle figure painting the applicationClaboratestyle is China's traditional art figuration of a strange flower, in the long period of historical development constantly enrich its aesthetic viewpoint, expression, aesthetic orientation and other art system. It is China's earliest and mature is the earliest originated in ancient painting type, except plant outside it also lots of color use rich freehand (natural mineral color and metallic color, etc.) FuCai, which combined line for modelling performance means revealing its neatly fine and art form and art completely.Inheritance illustrious history, innovative achievements of development. At the end of last century, freehand was in China for the contemporary painting and claboratestyle figuration claboratestyle inject new vitality, innovation provides a new development space. This a thousand years of the ancient Chinese mineral pigment to reappear its unique charm, its application more enriched figuration claboratestyle formal language, expressional ability, creative concept connotation, its positive significance is self-evident. Contemporary claboratestyle figure painting also with the great inclusivity introducing different civilized art nutrition, break through the traditional stylization routines and to create a more liberal, individuation, a variety of art works to provide the possibility.This article mainly discuss freehand in contemporary claboratestyle the use situation. Figuration First of all in the first chapter stating expatiates the introduction section with purpose and significance of Chinese claboratestyle figure painting and Japan as the main example try life paintings from two aspects of theory and practice at home and abroad present situation were. In chapter 2 introduces freehand name origin, briefly our freehand and claboratestyle, then proceeds to describe the origin of painting freehand and claboratestyle figuration connotation. Chapter 3 try each progression analysis and summary freehand in contemporary claboratestyle figure painting the way to use method, etc. In the fourth chapter in contemporary paper freehand claboratestyle used in painting significance. In the fifth chapter the author try discussing summarizing outlook freehand claboratestyle figure painting in contemporary use prospects.Study, under the guidance of tutor it attempts to freehand claboratestyle paintings in the development and use of vertically combed from its context, understand the use of shape transverse comparison sums up the artistic features, mining its material innovation painting language, it also makes the author have improved their use of freehand further understanding. This paper is the author of this field shallow understanding, still far not perfect, far is not clear. Its breadth and depth remains to be further enriched. Nevertheless, still hope to receive the experts point. The more hope this research are engaged in the research for providing reference and the friends, hope to help the development of contemporary claboratestyle painting make a big meaningful contribution. |