Analysis Of Liu Dehai "Chapter Of Religion" Of "Water Dropping Guanyin"

In twentieth Century ninety years, Mr. Liu Dehai’s Pipa music creation hasentered a new stage: to make luxury, return true, his rich artistic experience andcreation pluralistic concept achieved perfection in one’s studies. realm. The authortries to analysis “Water Dropping Guanyin” one of the Pipa series “Chapter ofReligion” Mr. Liu Dehai this period has created, reflect the unique creative thinkingand excellent creative techniques, the understanding of the impact of its high artisticvalue extremely far-reaching.Full text consists of introduction, four chapters and conclusion. The introductionof the author on preparation and write a pass; First chapter, the masterpiece of “WaterDropping Guanyin”, introduces the creation background and music material; Thesecond chapter,“Water Dropping Guanyin” ontology analysis and performanceanalysis, focuses on the music, the use of performance skills in the aspects of thesubject; The third chapter “Water Dropping Guanyin”, the use of new techniques andartistic characteristics, including the original new fingering, the use of new techniquesand the rich connotation of the two aspects of performance; The fourth Chapter,“Water Dropping Guanyin” to “Chapter of Religion”, and the influence of theenlightenment, explore the impact on the future works of art, the contemporaryenlightenment of pipa music development; Epilogue, the article briefly summarizedthe full text.