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"Listen" Accord To The State Of Clearity

Posted on:2016-06-29Degree:MasterType:Thesis
Country:ChinaCandidate:Y X LiuFull Text:PDF
GTID:2285330464464787Subject:Artistic Philosophy and Criticism
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This thesis is rooted from Heidegger’s "Art of Thinking" as the philosophical basis, contemplating the sound construction of musical works. On the above basis, the thesis interprets the cognitive models of "listen", and ultimately turns back to researching the listening ways to music works.Accordingly, this study on specific issues would be taken as the following research models: studies which will be taken following research model:the basic structures are objects, instruments and art work from Heidegger philosophical connotation. Extended to the field of music aesthetics, it studies the sound as "objects", emotional material as "instruments", and music as "works of art" respectively. In addition to promoting the study by philosophy theories, this thesis also attempts to carry out in-depth analysis of multiple musical works, in order to make the views reliable and thus find out a methodology to interpreting music works applied in existentialism perspective. Therefore, discusses would be divided into the following three parts:1. Object, instrument, and art workThe research starts from Heidegger and his art classics "The Origin of the Work of Art" and explores the origin of art works. Then, the thesis applied the research methods from works of art to music aesthetics.2. Sound as "objects", emotional material as "instruments", and music as "works of art"After introducing Heidegger’s art thinking into music aesthetics field, the thesis clarify its research objects--- music works in existentialism perspective--- could be divided into three parts which are sound as "objects", emotional material as "instruments", and music as "works of art". Therefore, the purpose of this thesis is oriented on the work itself, focusing on the sound construction of musical works.3. "Listen" accord to the state of clearityThrough the above comprehensive survey, we could draw final conclusions as follows: musical works as "beings" on the sense of ontology, whose specific sense of sound structure could be poetically understood by the listener through intentionality into the body, eventually approaching the works to the realm of light and spacious.
Keywords/Search Tags:Heidegger, Art of thinking Musical works, Sound construction
PDF Full Text Request
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