Research Of Western And Eastern Han Dynasty Nuwa Narrative Rheological

In this paper, based on previous studies Nu Wa,from the perspectiveof symbolic narrative, focused on the form element and its forming wayof the Nu Wa image, on the rheological study of the Nu Wa narrativerheological.This study includes the following four aspects:First, the Han Dynasties Nu Wa sort of narrative text, the image ofNu Wa analysis revealed its way constitute characteristics.Second, to the han culture Nu Wa image narrative points region tocomb, analyzing its image form element and its forming way, reveals itscharacteristics.Third, with time and regions,compared to Nu Wa narrative textnarrative and image, full multi-angle quest narrative evolution of Nu Wa.Fourth, the analysis reveals the reason its rheological Nu Wanarrative contains cultural psychology.The preliminary conclusions of this study:Whether Nu Wa narrativetext or image, or a different era, different regional culture background ofNu Wa narrative as a whole, Nu Wa image appears as mythologynarrative and history narrative dependent the binary structure ofecological symbiosis,during differ only narrative mythology and historynarrative structure of the binary the image of the Nu Wa significantpotential, table, showing differences in the way both inside and outside.Itis this difference in presentation or conversion, depicts a Han dynastiesNu Wa rheological double helix main narrative.Reading spiral line, wecan found that in the Han Dynasties,due to the total force of myth historyand the historical change, Nu Wa image finally by the conception of thegod of gods, history mythology by cultivating human father or farphilosopher king. Nu Wa myths and legends in the history of the originalcontents of the myth of the pattern, with a new face and culture. Nu Wanarrative not only associated with changes in the rheological Han culturaltrends, but also reflects the deep profound aesthetic psychology of theChinese culture.