The Presentation On Spetacle Of Chinese Film In The Post-colonial Context

Douglas Kellner has pointed out，" For a long time，the film is a breedingground for spectacle." Appeared intention of the film is to give peopleviewing visual experience to bring a new and strange spectacle of thesubstance，it is this movie special kind of media properties，whichdetermine the genetic relationship with the visual spectacle. behind theChinese film spectacle unique artistic phenomenon with Chineseacademic background as well as deep-seated cultural factors，it is theChinese mainland Chinese films from the seclusion of the model operasto film industry and internationalization process of the inevitableoutcome.This article is divided " spectacle " of related concepts，element ofchinese movie " spectacle "，Chinese film " spectacle " of cultural roots，Chinese film " spectacle " of the situation and the future of four chapterson Chinese movie spectacle presented for discussion. Chapter IIIntroduction to undertake as part of the first chapter of the " spectacle " ofrelated concepts to do the analysis and presentation，including itsdefinition of spectacle，and the spectacle similar distinction between theconcept of class; Chapter III oriental woman，oriental folklore andEastern martial arts these three iconic elements of the Chinese movie "spectacle element" of the building and conducted a detailed analysis ofrheological; Chapter IV of the height from the philosophical and culturalroots perspective to analyze the film in contemporary society " spectacle "of the root causes is called trend; Chapter V as the last part summarizesthe movie " spectacle " as a Chinese-language film in a unique culturalphenomenon，and how it can promote the national cultural spirit，helpChinese films in the world shadow altar fame.