On The Expression Of Chinese National Spirit In Chinese Film And Television Works

The national spirit can be "nation" and "spirit" from the definition of nation understanding. The word has many kinds, after the establishment of the new China, for the word "nationality" in China under the leadership of the Communist Party is defined as "the nation is formed in a certain historical stage of development of the stability of the community of people. Generally speaking, in the national history, mode of production, language, culture, customs and habits have common characteristics and psychological identity." the spirit is a concept of philosophy, including human consciousness activity and ways of thinking, is human to reflect the objective world in the mind, and in the process of history the development of continuous improvement, the formation of the spiritual world of people’s hearts.National spirit is first put forward by western scholars, its purpose is to struggle and Western feudal theology. In our country, the national spirit began in modern times, the beginning of the Opium War become the Chinese nation spirit modernization beginning, faced with unprecedented in China’s social crisis, in our country some patriots drive, national spirit in the hearts of the Chinese people began to gradually be excited and gradually formed. During the period of the Anti Japanese War, reached a climax.Feng Xiaoning as China’s fifth generation director, is also a low-key film, he inherited the filming for the war and carry forward the Chinese national spirit in the face of foreign aggression both refuse to be cowed or submit to the founding of the film works, also has its own unique insights and the development of.90 since the 1980s, Feng Xiaoning took a lot of Chinese national anti invasion war, a change in the past "hero" movie, adding more movie elements and features of national culture, has the patriotism education significance, creating a film like this new development direction. At the same time, Feng Xiaoning is a very unique director, his films everywhere you can see his shadow, with personal and educational meaning clear.Therefore, this paper on the study of the relationship between the national spirit and the film, Feng Xiaoning, the classic film series, the national spirit of the fusion and the movie art performance method to carry on the analysis, and thinking of contemporary in showing the spirit of the Chinese nation’s TV drama the existence of the problem, analysis of the Chinese national spirit in the movie could further development.