A Comparative Research Of Performance Perspective In Chinese And Western Painting

Content of Chinese painting and Western painting respective covers a very wide range, and there are obvious differences, while painting a different perspective between the two paintings at played a pivotal role. Painting perspective, contents rich massive, complex theory, and you want to thoroughly understand really easy. The performance of Chinese and Western painting perspective comparative study will help us better understand the perspective of Chinese and Western painting, learn from each other, right to use paintings in practice, creation of a painting with a new culture and aesthetic character.Currently, the study of Western painting perspective, there are a lot of results, but most tend to unilateral study. About Chinese and Western painting perspective on both sides comparative study of the performance of a relatively small, especially for the formation of Chinese and Western painting perspective reason, comparative research practice performance even less, and the lack of a detailed analysis of the performance in both paintings perspective, comparative study. In this paper, combing the existing research results, based on the theory from the perspective of painting, combining a lot of work to resolve the legend, and strive to combine theory and practice, try to make the argument image, intuitive, demonstrate the level of practice in painting summarizes the performance of Chinese and Western painting perspective of the law. In exploring the different cultures and their ideas and impact of the formal language of painting "perspective view" for the system.This paper is divided into five chapters. The first chapter, the introduction, the scope of the purpose, meaning and the status quo in this first part of this research and the research of the key and difficult issues were outlined and explained.The second chapter, overview of perspective drawing. This chapter studies the context of the development of Western painting perspective. By studying the context of their own development, which traces the development of Western painting perspective to tease out of the system. In addition, the classification of perspective painting also made the necessary theoretical elaboration.The third chapter, Western painting "perspective view" reasons for the formation of the study. The main cause of this chapter in Chinese and Western painting "perspective view" of different root causes and indirect causes. Fundamental impact that the traditional thinking of China’s "Heaven" and the aesthetic taste way of "Li Xiang Jin Yi" and the West "subject-object allogeneic" thinking, rational thinking on each painting "perspective view" form, as well as Chinese and Western painting major painting manifestation language "perspective view" formed indirectly.The fourth chapter, different research perspective embodied in Western painting. In this chapter, through discussion, comparative perspective in Western painting composition in the viewfinder, performance space and other applications, draw different in the presence of Western painting perspective.The fifth chapter, perspective similar studies in Western painting. In this chapter, the main research performance of Chinese and Western painting perspective similarities. While Western painting has a different perspective on the nature of the performance, but this difference is relatively exist, they all have in common the objective reflection of reality, thus making them the perspective necessarily reflect the performance of a certain similarity.On research and innovation, based on in the perspective of painting theory, this paper uses the theory and work illustration analysis research methods, a more comprehensive and systematic analysis of Chinese and Western painting performance in practice of the similarities and differences of perspective, so as to achieve for innovation in painting practice correctly, use of perspective and provide some useful theoretical support.