Modern Use Of Decorative Elements Of Folk Architecture In Western Hubei Prov

Chronicles famous architect focusing on how to continue toinnovate and break the traditional design, build unique distinctivearchitecture. Many modern designers looking for natural and humanrelationship with the architectural, but often overlooked use bestembody the arts, culture, style architectural elements.Decorativeelements are traditional houses several generations of peopleexperiencing prolonged precipitation crystallization of culture, aspeople in the production and life material and spiritual needs of thecarrier, its basic characteristics are the most difficult to grasp and apply.This paper studies the most representative of Hubei Province EnshiTujia folk architecture, its decorative style and other parts of the countryfolk architecture is different, with its unique geographical environment,personality Folk Culture and building size, form, space, functional anddecorative construct its own unique architectural value andcharacteristics, is the China folk Art Deco architectural treasures. Thewestern Hubei national architectural decorative elements flexible useof modern architecture, heritage and innovation, is the purpose of thisarticle and critical writing.If residential interior design copy from tradition, not innovation anddevelopment, then the earth will lose Art Deco design its own artisticvalue. Thus, in the traditional folk architectural design elementsimplemented to protect, organize and innovation, to create bothtraditional charm and filled with contemporary works at the sametime.In this paper, as the representative of folk architecture in westernHubei research papers hoping to be able to bring to the region ofmodern architecture theoretical study and practical operationalcharacteristics, so that modern architecture has a nationality, sexualcharacteristics, to explore, extract the essence of traditional art,making it a source of Chinese modern design, so that China’s traditionaldecorative elements exudes its own unique charm.