Application Research Of Nguyen Dynasty King’s Costume In Vietnamese Modern Clothings

The 19 th century was the peak of the Nguyen dynasty, the ruling ideology of Confucianism as the core has a certain influence on the clothing. Nguyen Dynasty(1802-1945) in existence for 143 years, some of the events that occur during such a shift dress and culture, especially the more changes occurred in court dress. Taking emperor of Nguyen dynasty’s clothing as the research object, focusing on the period from 1802 to 1847 mainly clothing shape three emperors were studied. He hoped that the study results, men and women can carry mainstream fashion design, image design to make it in the film has been applied, and the emergence in college and universities use the development of garment history lesson.In Vietnam, through the practice of the preservation of cultural visits and observe the traditional elements in modern society, this paper proposes three main purposes: The first: the protection and promotion of traditional Vietnamese culture, it can be passed. Every country and nation has its own history, in the history of the development process precipitated culture, is the country’s years of charm and spiritual heritage. Preservation of traditional culture should first be recognized by its own people of their traditional culture, heritage and to develop on this basis, so that the outside world understand the ability to form an external influence on the country and the nation, to the objective, but also for human civilization the history of the development has been filled. Under the influence of social reform and commodity economy, Vietnamese culture has undergone great changes, people’s perception of traditional culture with the development of science and technology is gradually being left behind, forgotten. The second: by collecting data on the Vietnamese Nguyen dynasty’s clothing finishing, provide a reference for the description of the history of film and television costumes Garments and books. Vietnam Film Group wants to shoot a movie playback history or ancient-style TV series, but the absence of specific information or the sources of information available vary, and most of the content of information affected the ancient Chinese costumes, its results appear disagreement or the same phenomenon with Chinese costume drama costumes. As most of the lost or stranded in civil court on Vietnamese clothing materials, this paper proposed by accurately collecting emperor of Nguyen dynasty’s clothing style, structure, color, etc., In order to compensate for the lack of research and hope for the future of Vietnam Television or drama and other clothing designed to provide a reference value. The third, the traditional dress of Vietnam Nguyen characteristics applied to provide design ideas and methods of modern Vietnamese costume design. Since the Nguyen dynasty in traditional dress with modern clothes there is a big difference in the shape, style, temperament, craft effect, so the question now clothing we should study what is in the form of traditional media as reflected in modern clothing and yet fashion. Therefore, this paper materials, colors, patterns improved design ideas, the Nguyen dynasty traditional elements and modern fusion, so that the design works in the style of temperament and style to achieve the perfect harmony and unity, did not feel awkward, even it It serves as a finishing touch to this design role.Based on data collected to summarize and organize, from clothing three elements(style, color, fabric) for traditional clothing characteristic reproduction patterns in contemporary Vietnamese clothing is a more comprehensive analysis and summarized, and finally according to the results, its main features used in modern clothing, conducted a series of design.Researchers have been to many places from the north to central Vietnam to collect information in Vietnam, three principal methods(reading literature, interviews, observation) emperor of Nguyen dynasty’s costumes for data collection, and with the same time period, with Chinese imperial dynasty’s costumes were referring to thoughts of comparison, we understand with readers.By the way this thesis can be drawn personal views about the equipment started every feudal dynasty, although there are slight because of doping between a dynasty too many examples refer to chapter, but is still considered royal clothes bearing the stamp of traditional Vietnamese culture, bring a positive sense, traditional values, can be preserved for future generations. The results can bring the hope for the traditional Vietnamese clothing in modern dress and inheritance can provide reference design ideas.