Research Experience Museum Display Format

For the modern museum industry, traditional museum display can not meet the needs of times development, let alone content ours with some knowledge only by vision. We need to achieve across-the-aboard experience."Experiential Display Form" will bring about a ground-breaking in revolution. It can convert the passive audience into another experience that mutual interaction with appreciation and thinking."Display" is the soul of the museum. This paper devotes to dissect the theory of the museum "Experiential Display", at the same time, the author will refer to some of jingdezhen museum, and apply the concept of "experience" to the museum’s display. In combination with the present display situation of some jingdezhen ceramics museum, analyze the factors of "Experiential Display Form" and aesthetic effects.Concrete content is as follows:The first chapter is the introduction, analyze the purpose and the practical significance of this study in macroscopic view.With the coming of Experience Economy, We entered the leisure time, the audiences experience is paid more attention in the display of the museum, so "Experiential Display Form" emerges as the times demand. Then introduce the present situation of "Experiential Display Form", and relative research is in the upward trend in China, it has been involved in various disciplines, but the aesthetic is relatively weak.The second chapter focuses on the museum’s aesthetic experience. First of all, clarify the connotation of aesthetic experience, this is a method that brings museum experience into the field of aesthetics, emphasizes the aesthetic features of the museum experience. Next illustrates the characteristics of the aesthetic experience in museum, it is comprehensive experience, mixes entertainment, aesthetics, education and escapism and so on; it also has sustainability, not only on attractive designs,but also aesthetic effects have far-reaching significance for audiences.The third chapter, the author takes the readers around three ceramics museums of jingdezhen, describe from the visit before, the architectural style of museums, display style and thinking after visit respectively to show the author’s experience. This laid the practical basis for the analysis of the "Experiential Display Form".The fourth chapter is the key of this article, around the "Experiential Display Form", first clarify the focus of display regard "people" as the center concept, pay attention to the viewer’s experience requirement. Secondly discuss important factors from the object and subject in museum experience.Experience object contains the external environment, such as museum building, this part analyzes the museum building itself, the relationship between museum building and surroundings, whether the museum architecture and its inner display content is suitable. The object also includes inner scene, mainly refers to the real scene and the virtual scene, they constitute the experience target as a necessary condition for experience. In addition, experience subject is the center, the purpose of the interaction between subject and object is to complete aesthetic experience on the physiological and psychological, obtain the ideal aesthetic effect, the museum aesthetic experience has such features as real-time, interactive and immersion.The fifth chapter is the conclusion of the article, supplement other two typical functions of museum:Art Education and Cultural Transmission. Finally, analyze the causes of defects about museum that lack of experience in our country, primarily, the consciousness of experience is weak and technology conditions of experience are not mature.The author want to highlight the "Experiential Display Form", show its importance and necessity by this paper. It also has referential value for the current museum industry.