Lighting Body Narrative And Ideology

This essay, putting the Women’s pictures in China Pictorial as the types of media image, to study the power relations between the female body narrative and ethnic, nation, class, production contemplation in a broader perspective. The essay mainly studies on how the text intertwined with the history, how the body reproduce history, in which sense women was liberated and detained. Based on the theory of semiotics, ideology and deep hermeneutics qualitative analysis, combined with photography theory, painting aesthetic interpretation to interpret the text. It put China Pictorial under the framework of ritual view "of the media, and hold the view that it’s not the purpose of the transmission of information, but the way through which the symbolic power of the space to create" myth ", in order to construct the people of self, community, social cognition and feelings.Chinese women’s liberation and feminist narrative is carried out under the command of the national myth. This article will be divided into labor myth, class myth, national myth, the day-to-day myth and art myth. In several different types, the female symbol continue to be expropriated to build the national narrative, occasionally they also serve as a symbol of the authority of the State legitimacy and reputation, the symbolic representation of the image text often hidden under the ideological control ways. Standards of state power and the ideology of women’s liberation has a composite role, on the one hand, it does enable women to participate in social production out of the home, women get unprecedented rights, on the other hand, women were placed under the national narrative and shaped in patriarchal standards. All in all, women’s liberation is not the result of conscious awareness.