Well, "Zhi Ya-tang Prose" Value Of Book Learning

This paper elaborates the Zhi ya tang za chao as the main research object, and by the calligraphy value of Zhoumi’s Zhi ya tang za chao as the title, Focuses on the discussion about the collectors, collection, the price of the calligraphy and the value of this book.,which includes the following several parts:Introduction, explains the selected topic reasons, sums up the current academic circles on Zhoumi, and expounds the theoretical significance and academic value of this topic.The first chapter, Zhoumi and Zhi ya tang za chao. This chapter is divided into two sections, the first section mainly introduces the thorough family and artistic accomplishments of Zhoumi, Because Zhoumi is a very famous poet of song dynasty, writings about his family research articles are not uncommon, but the current academic circled on the art of calligraphy and painting seems thin. This section in comprehensive, on the basis of predecessors’ research, focuses on mining in the field of painting and calligraphy and experience; In the second quarter, discusses of Zhi ya tang za chao’s version, accomplishment date and the motivation of this book.The second chapter is the description of value of Zhi ya tang za chao. The first section discusses the characteristics of the book. In the second quarter, due to the miscellaneous characteristics, from different levels and visual Angle will be mining to a different value. This selected Jia Sidao as an example, to account for the value of this book to the former generation of collectors. The next focuses on checks and proves’ value of the book. This section selects Jia Sidao Fengzi Jiancangyin as perspective, from combination of the official, philology,and close relationships with Jia Sidao related factors, I think Zhoumi’ record is more believable.The third chapter is to see the times of the collecters as a group from Zhi ya tang za chao. The first section, this paper introduces the structure of this groups of ancient officials-the north, the south officials and Yimin, three classes are not a static, closed independent group, but a dynamic and open group. In the second quarter, following last, discusses the guide Yimin group communication point of view, besides appetites of good calligraphic art, ambition, profit, and flatters are also very obvious reasons.The fourth chapter is to find the calligraphy’s circulation and price from Zhi ya tang za chao. The first section, from the perspective of Zhoumi’s records to survey main way of circulation of calligraphy by Guangjiku, the seller coming back up for sale, collectors visits and gathering. In the second quarter, with the painting, Zhongdingyiqi and other basic information of early yuan’s price comparison, to discuss the calligraphy to the macro position of the collectors at the beginning of the ealy yuan’s society.