Research On The Image Of Calligraphy Criticism Before Tang Dynasty

Calligraphy is the art of writing Chinese characters as a carrier of lyricism,expressiveness,and style.Its critical textual calligraphy is very special in terms of image description,especially the pre-Tang calligraphy.As the origin of ancient Chinese calligraphy,the imagery is particularly expressed prominent.The study of imagery is of great significance to ancient Chinese literature and art.In the past,the study of imagery in the book theory before Tang mostly stayed in the description of its state,or explained it through the way of objectification.The imagery of the Book of the Tang Dynasty is not messy and unruly.The imagery of the Book of the Tang Dynasty is simply sorted out based on the text content in the way of chronological research.It can be roughly divided into six categories: celestial phenomena,terrain,animals and plants,characters,military,and others.A brief analysis of the characteristics of its types,clarified the general situation of the use of imagery in the book theory of the first Tang Dynasty.The main reasons for the formation of the imagery of the calligraphy theory in the first Tang Dynasty are the traditional thinking of "creating images for full meaning",the unique interpretation and expression of Chinese characters,the artistic spirit of the times,the overlap of the identity of the calligrapher and the creator of calligraphy,and the traditional The ideological basis of the religious and cultural worship concept and the ideological orientation of Confucianism and Taoism,as well as the influence of other literary forms.The imagery in the calligraphy of the first Tang Dynasty was repeatedly inked by the creators of the calligraphy theory.In the writing of the calligraphy creators,these images are not only objective descriptions,but also deeply entrusted with the aesthetic pursuit of beauty in form,rhyme and strength.The imagery in the calligraphy theory of the first Tang Dynasty shows the charm of literature and art.The rich evaluation terminology of the image has a great influence on the calligraphy theory of later generations and other literary forms.It clarifies the status and importance of the imagery in the calligraphy theory of the early Tang Dynasty in the literature and art,which is important for the current calligraphy.Art and calligraphy creation have practical guiding significance,and its theoretical value far exceeds the shackles of the times,and it is worthy of further exploration.