Theoretical Analysis And Southern Dynasty Calligraphy

The Wei and Jin Dynasties in Chinese history of the northern and Southern Dynasties, is an important period of transition, both in the academic literature variation and achievement, or change in politics on a show that this is an important node. Loose binding political, provides a large space for the academic thought of active. Turmoil would strongly shocked people’s hearts, promote the awakening of humanity, the activation of creation and thinking.The period of Wei and Jin Dynasties, as the writing skill of "calligraphy" got a high value, showing a hitherto unknown prosperity landscape. During the Wei and Jin Dynasties and Northern and Southern Dynasties of Wei and Jin Dynasty calligraphy, the most brilliant. Identity calligraphers "family" or "political", has spread widely in favor of calligraphy, especially the spread of new style calligraphy, also contributed to the establishment of the social role of calligraphers. Truly has the academic significance of calligraphy works appeared in the Wei Jin Southern and Northern Dynasties, the calligraphers. In this paper, from the time of calligraphy theory, research and Discussion on related theories, calligrapher, calligraphy works during the period of Wei Jin Southern and Northern Dynasties, analyzing its development history, the prosperity of the historical background, main characteristics and important role in the history of calligraphy and the impact on future generations.This paper is divided into four parts:the first part is the introduction, including research purpose and significance of the research, present situation, research review, research methods. The second part, carries on the discussion to the Wei Jin Southern and Northern Dynasties calligraphy theory background, analysis of special internal causal relations formed in this era of calligraphy theory and the Eastern Han Dynasty book with the wind. The third part, review of the Wei Jin Southern and Northern Dynasties calligraphy theory. Any theory is based on a great deal of practice development, in-depth and come, calligraphy theory is established based on a large amount of calligraphy practice. This chapter is from the Wei Jin Southern and Northern Dynasties calligraphy theory article type and research a number of great calligraphers during this period Leekpai Kaizong, to this period of calligraphy theory into the history of calligraphy theory, techniques and aesthetic evaluation three aspects specific analysis. The fourth part, the influence of the southern and Northern Dynasties calligraphy theory on the later generation of. Analysis of construction process and development second book wind, and expounds the open since the Wei Jin Southern and Northern Dynasties calligraphy evaluation of wind.Through a series of theoretical analysis, can draw a conclusion that is relatively clear, the appreciation of calligraphy and painting Chinese concept is based on the southern and Northern Dynasties laid. These traditional arts and the threshold requirements, also determines that it can only be made by literati led.