Ink Portrait Of Contemporary Urban Imagery Performance

In today’s cultural diversity, how to make traditional ink painting is both " modernity"while not losing its " national character " and become the most important issue in the creationof contemporary ink artists need to be addressed. Urban Ink portraits produced in the1980s,in the form of the language of imagery reveals the social transformation of urban people ’ssurvival status and living conditions, problems and humanity directed at the current socialproblems, making ink language in the cultural context of the moment really established hisown artistic word norms, and therefore the performance of urban imagery ink is undoubtedlythe most profound human connotation close to modern contemporary ink art oftransformation.This paper is divided into three chapters, the first part of the order of the developmentprocess timeline ink portraits were brief, simple combing the history of art from the WarringStates period to the1990s dynasty to ink portraits of urban imagery performance, thus theintroduction of the second part of the article, but also the image of the performance of thecore part of this paper, and ink portraits of contemporary urban form of the language.Thinking and focus from art direction to proceed with formal language case studies toillustrate the analysis combining art painters covered by four different aspects.The last part is something to think about for urban ink portraits of imagery, includingtheir impact, difficulties and problems, and finally talk about inspiration for their own artisticcreations. I firmly believe that the performance of its urban ink portrait imagery independentartistic spirit will play its unique value and strength in the development process of the inkportrait.