Analysis Of Urban Ink Painting Language

The first chapter of the course is recognized the development of ink figure painting as a brief combing Xu Beihong, of JIANG Zhao, Zhou Sicong and many other artists, throughout the paper directly from the comb in the history of development of the arts as well as academic history brought to "Ink People with the theme of urban life meet up fusion "theme.The second chapter is divided into three parts to explain the development of the contemporary urban ink figure painting:First analyze the background and causes of its development:advanced Western art concepts external boost power, it encourages the exploration of a wide range of artistic language, provided the conditions for the development of the current urban ink figure painting for a new era of concern; and social change of the internal structure of the artistic development of intrinsic motivation.Followed by analysis of the form of linguistic features:the the urban ink figure painter in the exploration and development of a form of language that is consistent with contemporary social value systems and their own value system. Its two features: the "present" and "national character"Finally, analysis of the difference between traditional ink portraits:Smart shape, composition arbitrariness, as well as material on the richness, so at the same time enhance the visual impact of the image itself, but also extends the traditional painting performance space. In the style of the times, and actively seek and meet the aesthetic needs of the public direct access to the life of the ground.Then have targeted the practice of contemporary urban Ink artists explore case analysis:Tian Liming pure and elegant on the screen showing their female perspective, Liu Portrayal of vivid and witty, and Wang Yanping reproduction frame of mind and life the intertwined.The third Chapter talked about the inspiration and influence its creation, including the following four aspects:First, creative attitude sincere; followed by creative methods to focus on the exchange, both standing face to face with a modeling observation and communication, artist’s own the other hand, through the models themselves, for their own spiritual dialogue; third, the request, that is based on master painting features to practice, the amount of accumulation is always important; fourth is a prospect I firmly believe that the theme of urban life with the combination of ink figure painting has played a lot of attention, while exploring painting and contemporary social, cultural dialogue, urban ink figure painting is bound to contribute their unique strength.