Formal Language Study Of The Image Oil Painting

As the development of image source traditional Chinese aesthetics and oilpainting today, the prerequisite of imagism oil painting culture, which reflects thepursuit of Chinese aesthetic context. In the background of Chinese history andculture as well as the philosophy concept, imagism oil paintings have experienced akind of natural-developing process. Imagism oil painting is not only refer to onesingle genre or painting style, it’s emerged from the western oil painting, and thendisseminated by local Chinese culture, and arisen in the process of continuingcombine. It has an obvious Chinese flavor. the formal language of imagism oilpainting can reflect the artists’ personal mind and temperaments and also thesubjective consciousness which can be seen as the express of artists aestheticcharacters. Imagism oil painting, under the circumstances of traditional Chineseculture’s collision and combination with the newcome western culture, has arisen aform of traditional Chinese local characteristic. The whole essay totally divided intofive chapters.The first chapter is mainly about the image source,cultural traits andthe aesthetic value of imagism, which provide theory evidence to the imagism oilpaintings. The second chapter is mainly about the background of imagism oilpainting, and give a concept of it’s appear in China as well as analyst and discoverthe characteristics of the schema features and conditions. At the same time, giveexamples to explain some of the schema features and conditions of the imagism oilpainting. The third chapter is the most important part of the essay. Through theresearch of imagism oil painting ’s formal language, analyze imagism oil paintinglanguages’ characteristics and interests,and of course the characteristics of it’s form.The fourth chapter is talking about the aesthetic value of imagism oil painting whichis on the basis of the third chapter. It include the epochal aesthetic value and thevalue of discover imagism oil painting ’s charm. The original meaning is that throughthe aesthetic value and contemporary of imagism oil painting reflect the culturalrecognition of artistic creation and the existence of reasonable phenomena in Chinese art. In the fifth chapter the era that artists live, the thinking of imagism oilpainting formal language of oil-painting creation. It has a big relation with theindividual idea came from the society and oil-painting creation. The recognition ofimagism oil painting creation in contemporary social context can give us a goodunderstanding for the spirit of Chinese culture, meanwhile It can also provide us agreat approach to express our emotion much better than before. The development ofimagism oil painting can also help us enhance the status of Chinese oil paintingamong the world to people know more about traditional Chinese cultural sprintworldwide. In the creation of imagism oil painting, we have to inherit and carryforward the imagism sprint of traditional Chinese painting, and create new schemaand features bravely, which can help us thinking about the combination of theChinese local painting and the painting art of the outside world. Thus, theoil-painting language of our nationality may acquire a high status in the world.The ithas the inspiring value and improvement for the development of the oil-paintingcreation of China as well as the world. So the imagism oil painting will gain moreawareness and recognition in the international stage. The development of its researchand practice will towards a more diversified, constructive direction.