The Research On Traditional Decorative Typography

With the rapid development of the modern art environment, traditional decorative design usually considered obsolete. On the traditional culture and insufficient attention, led to the design strength for new understanding of the nation’s own traditional weak. This paper studies on the traditional decorative fonts, trying to find the traditional art of self identity behind the state of mind, trying to find the traditional value must be in the local cultural resources.From the modern tradition of decorative fonts survival state can be glimpsed, many forms of art is just a simple copy of the ancient past, the pursuit of formal agreement, and ignore the practicality and value lost its essence. From the development of the world can be seen, the traditional decorative fonts as practical resources of ethnic traditional ontology, its value has not been the depth excavation. The author thinks, there is valuable. Cultural resources from the point of view, the rich artistic form under the traditional decorative fonts in the thousands of years of culture, is in the majority of working class, has a broad mass base, high degree of popularity and identification. This traditional art is the cultural foundation of the retained unique nationality, followed in the torrent of history culture accumulates the appeal and influence, has the value of social research to the folk custom, religion, but also reflect the importance of the art form of inheritance.