An Realistic Exploration,Breakthrough And Regression

With the calmed mood so called "but work hard, do not ask harvest", Chen Zhongshi created a heavy work——the "White Deer" that called "the pillow padding coffin"after three years, shocked the contemporary literary world, became one of the most influential contemporary writers.That is why there has been such a literary phenomenon today: as talking about Chen Zhongshi,many people only know the "White Deer".Although the "White Deer" is irreplaceable significance in the overall creation of Chen Zhongshi, but the "White Deer" was not born from the heaven, it is inseparable sober and wise "breakthrough" spirit of Chen Zhongshi,it can not do without his difficult explore of "looking the own narrative ", it can not do without his absorption and conversion of foreign outstanding novels. Exploring the mystery of Chen Zhongshi’s success, we are sure to macro comb on the novel of Chen Zhongshi, we are sure to conduct a more detailed explanation on the relationship of Chen Zhongshi’s novels with foreign literary fictions.In this paper, Chen Zhongshi’s novels as a specific object of studying, the exploring, breakthrough and returning to the realism as the longitudinal axis of Chen Zhongshi’s fictions, so as to achieve the system knowledge of the rheological of Chen Zhongshi’s novels;according to some characteristics of Chen Zhongshi’s novels and some creations that he made, we can set the foreign literature that impacted on Chen Zhongshi’s novels as the horizontal axis, comparative analysis of the relationship between the foreign literature and Chen Zhongshi’s fictions, so as to achieve a more complete understanding of the relationship between the foreign literature and Chen Zhongshi’s fictions, and by studying Chen Zhongshi’s novels reached on prying the evolution of Chinese contemporary literature.This paper is divided into three chapters, the first chapter is mainly analyzed from the extracted theme, the spreading plot, the shaping character and other aspects of Chen Zhongshi’s fictions before the mid-1980s, and detailed comparative analysis between Chen Zhongshi’s fictions and the foreign fictions of Shukshin, Maupassant, Chekhov, according to some his creations talk, combed the difficult process of exploring the essence of realism. The second chapter try to transcend the political factors of Chen Zhongshi’s novels, deeply study Chen Zhongshi’s novels in the late1980s from the culture, history and sex, according to the deep cultural implication, distinct historical vision, daring sex writing that reflected in his fictions, combined with a series of creative expression of him, respectively carried out a detailed comparative analysis with the " hundred Years of Solitude "," quiet Flows the Don "," Doctor Zhivago "," Lady Chatterley’s lover ", systematic combing the fictions during the breakthrough period of his novel. The third chapter set Chen Zhongshi’s nine short stories in the new century as research subjects, focused on the specific performances returning the traditional realist of Chen Zhongshi during new century, and make a simple comparative analysis with Chekhov and Maupassant’s short story writing. Also analyzed that Chen Zhongshi’s novels of the new century on the basis of returning on traditional realism draw some creative ideas and learn techniques from Western modernist novels.Finally, the author takes the creative process of Chen Zhongshi’s novels as a typical case, carrying out a simple comb on the evolution process of Chinese contemporary realism literature and the relationship between Chinese contemporary literature and foreign literature. The study of Chen Zhongshi’s creative process has not only value for the study of Chinese Contemporary Literature changes, but also promote to the systematic study of other writers in Chinese Contemporary Literature, so as to achieve the perfect meaning of Chinese Contemporary Literature Studies.