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Chinese Landscape Painting

Posted on:2014-03-11Degree:MasterType:Thesis
Country:ChinaCandidate:L Z LiFull Text:PDF
GTID:2255330425962466Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
In ancient China has a long history, The development and practice of traditionalcalligraphy and painting a series of arts interests, Figures, flowers, landscapes, is a unique artform in China, Initially only for the feudal ethical code, Arts categories of philosophy, thecharacteristics of the times, This is to pay homage to the achievements of China’s fivethousand years of culture.With the continuous development of modern society, Industrialization process continuesintensified, Traditional Chinese culture with the world, Craft, art institutions have openeddisciplines, Spread and expansion of this ancient art form of teaching, Injected fresh blood fortraditional Chinese painting and calligraphy, The traditional Chinese painting and calligraphyincreasingly highlight its charm, Embodies the aesthetic ideas of the era. However, thistraditional calligraphy and painting are also facing the challenge of the times, It is necessaryto maintain the authentic pure spirit of traditional aesthetic and practical function, Have tokeep up with the pace of the times, Market-oriented, Seek their own path of development.Inheritance of our ancestors, Continue to accumulate a wealth of practical experience andcarry out reform and innovation, Staff requirements and subject to nowadays engaged in thetraditional art of painting. So people engaged in traditional calligraphy and painting, The ownquality training is particularly important, Directly related to the thriving decline of thetraditional art of painting.Today with the commercialization of painting and calligraphy, The market alsoflourished. Due to too rapid development coupled with the commercial hype, Calligraphyblind expansion of the market, Painting and calligraphy art gradually lost original puretraditional taste, Furthermore people engaged in traditional calligraphy and painting work,Itself has cultural training and professional quality is relatively low, Inherited traditionalcalligraphy and painting can not be good to develop to improve, Given this situation, weshould pay attention to cultivate their cultural accomplishment and aesthetic ideas from thespiritual level. Philosophy is the mother of the aesthetics, the basic meaning and spiritual understandingof the "Road" is crucial to the understanding of the aesthetics of traditional Chinese art.Chinese traditional culture and art aesthetic concepts of traditional painting and calligraphyplays a subtle role. Especially traditional Chinese painting and calligraphy in order to develop,And raised it to a certain cultural the height and artistic height should more profoundunderstanding of traditional Chinese culture and art aesthetic ideas, The way to make Chinesetraditional calligraphy and painting can be a good development, Play in the socio-culturalefficacy. In this paper, starting from a "main cognitive perspective, Summing up"epistemology and methodology, Demonstration of traditional Chinese culture and artaesthetic concepts of traditional painting and calligraphy. An old saying:"For worthies ofabout inadequate subsequently learned in etiquette." Through this exposition want to be ableto learn people get inspired and improve, Development and advancement in the field ofculture of this ancient tradition of painting and calligraphy.
Keywords/Search Tags:Traditional, Painting and calligraphy, Cultural, Aesthetic
PDF Full Text Request
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