The Context Of Contemporary Cultual Aesthetic Features Of Traditional Chinese Realistic Painting Flowers And Birds Painting Research

In the long history of China,the generation of Chinese painting can be traced back to prehistoric times.The earliest form of painting including mural paintings,carved painting,painted pottery decorative design in a utensil,and BoHua and so on.The rise and fall of basic painting creation and social change.Chinese flower-bird painting art is no exception,with the changing of social consciousness and aesthetic idea and development.At the same time in different periods of social development,economic progress,and cultural environment,people’s perception of and habits is also a certain influence on traditional Chinese realistic painting flower and-bird painting.Today’s China,the traditional and modern,east and west cultural thoughts and collide with each other,influence each other,mutual confluence.From the aesthetic features of traditional Chinese realistic painting flowers and birds painting and verve,the painting forms and characteristics completely difference with any pictures.Has its own independent complete theoretical system.In the cultural diversity under the situation of development,the contemporary traditional Chinese realistic painting of flowers and birds painter constant exploration and practice,make a long history and unique traditional Chinese realistic painting flowers and birds painting traditional painting category constantly improve.From the content,form and expression has been steadily broadened.This article is through to the individual s aesthetic features of traditional Chinese realistic painting flowers and birds painting research,and to promote contemporary combination study of contemporary cultural context of contemporary aesthetic characteristics and breakthrough.Listed in the process of contemporary flower-and-bird painter Gao Qian,Yao Shunxi two people work as a detailed analysis of cases.From the contemporary cultural context of the aesthetic features of traditional Chinese realistic painting flowers and birds painting understand deeper.First of all,the research and development in this article,through analyzing the since the wei jin southern and northern dynasties period to the Ming and qing dynasties,a total of seven of the historical stages about the development general situation of traditional Chinese realistic painting flowers and birds painting.Through the theoretical part of the paper concludes that the aesthetic features of traditional Chinese realistic painting flowers and birds painting in different periods and the reasons.Citing Lv Ji art lessons and inheritance of traditional painting flower and-bird painting.Secondly,from the ancient to now,through studying the aesthetic features of traditional painting flowers and birds painting,reasoning to today’s cultural context of the traditional Chinese realistic painting flowers and birds painting aesthetic breakthrough.That is,through the changes of the Chinese cultural context to the change of the aesthetic view of the traditional Chinese realistic painting flowers and birds painting and contemporary painting flower and-bird painting aesthetic modernity characteristic both to discusses the creation of the contemporary Chinese painting flowers and birds painting aesthetic requirements;By reference to the modern western painting flowers and birds painting art and contemporary ink painting on these two aspects to discuss the influence of the traditional Chinese realistic painting flowers and birds painting different cultural collision impact on Chinese traditional Chinese realistic painting flower and-bird painting.Again,works on the appreciation of contemporary painting flowers and birds painting,enumerates two contemporary aesthetic characteristics of two typical works of the painter.That is,Gao Qian,Yao Shunxi.From work form,academic value,form,image,style and so on has carried on the detailed analysis and put forward their own views,make the deeply realize the contemporary cultural context of the traditional Chinese realistic painting flowers and birds painting aesthetic new features,and laid a solid foundation for writing practice.The last is the creative practice of contemporary painting flower and-bird painting.Through the process from conception to practice is my own feelings about learning painting flower and-bird painting creation and revelation...