The Historical Construction And Aesthetic Value Of The Same Source Of Calligraphy And Painting

Based on the view of " consubstantiality of calligraphy and painting " and " the same method of calligraphy and painting " put forward by Zhang Yanyuan,this article makes an in-depth discussion on the homology and the Reference relationship."consubstantiality of calligraphy and painting" also called "homology of calligraphy and painting " by the philosopher,this view constitutes the historical basis of the " the same method of calligraphy and painting ".This article has a multi-dimensional and multi-level analyzes on the homology and the reference relationship.We believe that "homology of calligraphy and painting " refers to calligraphy(word)and painting has a origin kinship;"the same method of calligraphy and painting" refers to the integration of calligraphy and painting art in technique and aesthetic interest.Although " the same method of calligraphy and painting" and "homology of calligraphy and painting " are obviously different,so the central content of this article is the correlation and evolution of "the same method" and "homology ".This article is divided into four parts: the first part,Based on the discussion of "homology of calligraphy and painting" and related research,to prove "homology of calligraphy and painting" is the base of "consubstantiality of calligraphy and painting" from the hieroglyphs and Realistic basis.The second part,mainly discusses the historical course of the " the same method of calligraphy and painting".To expound Several important Joints in "consubstantiality of calligraphy and painting" from the Six Dynasties to Song and Yuan Dynasties.The third part,Focusing on the issue of " the same method of calligraphy and painting",Select some cases to confirm the artistic relevance of calligraphy and painting in art works.The fourth part,based on freehand brushwork aesthetic composition heaven and earth space-time,sum up aesthetic values and philosophy.