An Analysis Of The Characters Of Zhao Baogang’s Teleplays

Recently, The focus on the1980’s generation has become a social phenomenon.The1980’s generation, who are in their youth struggle, is the mainstream in today’s society. They just started their careers, and will be faced with social responsibility, family obligations, and so on a series of tests and changes,Some of whom continue to struggle because of their dream; some complacent adaptable; others continue to struggle to change the fate.They interpret1980’s ideology in their own way. As the1980’s has gradually become the core strength of the society,80’s living conditions and emotions also have gradually become the topic of the film and television industry.The80’s themed TV-plays continue to flood into the market, which are loved by the general public. the most typical are director Zhao Baogang’s "youth Trilogy ".Director Zhao Baogang’s "youth Trilogy" are "struggle","My youth who call the shots", and "Beijing Youth". The"youth Trilogy", through the narrative of80’s lifestyle, combined with the period of change and awareness of the times, and the local culture, expresses80’s thoughts and feelings, which is the portrayal of80’s real life.Faced with the conflict between ideal and the reality, the differences between love and the cause the changes of family and the environment, the hero’s ideology conversion highlights the typical morphology of80’s generation vividly.This thesis, from the perspective of narratology,is aimed at studying the ideology of the80’s, by analyzing the typical figures of director Zhao Baogang "Youth Trilogy",the conflicts, and the language of the text.