A Comparative Study Of Pan Yu Liang And Frida Carlo Painting Language

From the perspective of the history of art, no matter the Chinese traditional painting or the research on western painting art, painting language plays a very important role on the formation of the painting style and the establishment of expression for the artist. And painting language is a kind of way of language expressions for the artist to continuously searching for their own painting styles which are suitable for them, through this kind of language to show the artist’s thoughts and emotions, and the artist’s emotion is also determined according to their own understanding and comprehension for the artThis paper enters from Pan Yu liang and Freda Carlo’s life, with the two female painters’living culture backgrounds and life experience as the breakthrough point, deeply analyzes the artistic thinking of the two artists, strive to explore the effect and influence of forming their own painting styles from the cultural background, social conditions and life experience, at the same time, to have a comparative analysis on their painting languages, and to search for the same or similar factors from the differences of the formation and expression of painting languagePan Yu liang and Freda Carlo are two female artists who lives in the same times but different countries, their lives are full of thorns and bumpy roads, hardship and sufferings, to achieve of their extraordinary artistic achievements just because of all this hardship and pain, the two artists tells their sufferings and continuous pursuit for art in the direct and euphemistic wayPan Yu liang constantly advocates the artistic ideas of "fusion of Chinese and western" in her artistic career, devoted herself to blend the meaning of Chinese art in the western oil painting, at the same time, fit the the western impressionist paintings skills into the Chinese painting, gradually formed a unique style of painting.her creations of painting contain the sad, melancholy, lonely taste, as well as, sending out the women’helplessness towards the life and emotion of the fickleness of the world.Frieda carol tells the people about her pain and sorrow by the way of painting creation, most of the created characters is Freda Carlo herself, her works is the real self-expression, and she records the whole process of her own life experience in a way of compromising the realism and Mexican national culture,, both in body and mind are full of pain, helplessness, and hopelessness, and deeply touched our hearts in a harmonious expressionPan Yu liang and Freda Carlo conduct their paintings by using their own unique painting language, they all embody the national painting characteristics no matter on the content of the creation, the composition of the picture, feature of the architectural style or the uses on the color, at the same time, the tradition on the composition, accuracy on the modeling and bold uses on the color from Pan Yu liang and magic composition form Freda Carlo has made a bright contrast. In short, Pan Yu liang and Freda Carlo in the language of painting both have the similarities and different personalities, their unique painting language form is worthy of studying and discussion.