Study On Lee Haeng’s Fu And Its Relevance To Chinese Culture

Lee Haeng, the famous literati, representative of the writers of the Korean ancient Chinese literary history, held an important position in Korean Yi Dynasty. He had achieveed a great deal on poetry。He wrote61pieces of Fu, the largest number in Korean literary. There are many aspects in his Fu, such as genre, theme, content inherited the Chinese Fu. At the same time, his Fu imitated the mode of Chinese Fu, and also there are a number of changes and developments. His works are integrated with Chinese culture, providing the possibility and valuation for comparative study.So far, it’s strange that people have paid little attention to his Fu. This paper will focus on the genre, theme, contents, features and the China cultural factors-Confucianism, Taoism and relations with China in his Fu, displaying acceptance of Chinese culture and its development. The paper is designed to be able to broaden the scope of the study on Lee Haeng and his Fu. The paper is divided into six chapters, each chapter are detailed as follows:Chapter one introduces the purpose and significance, the situation and research methods of the topics to study Lee Haeng’s Fu, description of the current results achieved and deficiencies. This section underlines that the paper is unique on the data writing method, and the results have been different, in order to better grasp the full text.Chapter two is the general picture of Lee Haeng’s life, experiences and overview of his Fu. In order to have a comprehensive study on Lee Haeng’s Fu, it is necessary to start from his life. Only by understanding Lee Haeng’s life, can we have a better understanding of his work. On the basis of general understanding his Fu, we can have an overview of his Fu works, and establish a research framework and direction.Chapter three is Lee Haeng Fu’s contents. His Fu’s content can be roughly divided into3categories,8subcategories. His61pieces of Fu are almost all about Chinese culture. Such detailed classification by the content of Lee Haeng’s Fu, not only can we sort out his Fu’s creative context, analysis which part is associated with Chinese culture, but we can also dig out his emotional sustenance and deeper spiritual and cultural connotation in his Fu.Chapter four mainly talks about the borrowing of the Chinese Fu authoring mode. His61pieces of Fu accepted the creation of the Chinese Parallel Rhapsody, inherited the simplicity and naturalism in Chen Shidao and Du Fu’s realism in style. Meanwhile, he was good at using the Chinese cultural allusions and the Chinese literati Chapters in rhetorical. To sum up, his Fu based on inheriting the creation mode of Chinese Fu also have his own new ideas and developments.Chapter five is about the accept of Confucianism and Taoisam in Lee Haeng’s Fu on the ideological concept. The analysis of Lee Haeng’ s Fu reflects his acceptance of Confucianism and Taoism. The chapter digs out the impact of Confucianism and Taoism of his creative thinking.Chapter six is the conclusion. This part is a summary of the whole text, expounding the research value and lack of analysis, looking into the future in-depth study.