The Art Of Interior Furnishings In The Postmodern Context

The design of the modernist movement is a large-scale change, it is adapted to theproduct of the development of the times. Overall a great innovation, resolutelyrevolutionary and democratic characteristics. The first function is to follow the designprinciples of modernist design function is greater than in the beginning of the movement,in the form of design guidelines absolutely positive significance. With the socialdevelopment, increased productivity, material resources increasingly rich, the needs ofpeople with mental increasing demands for a single modernist emphasis on thedevelopment of functional significance to abide by this principle to the ultimateinternational era, eventually pushed themselves back into the the elite culture queue.The1960s,"less is more" Declaration being "less boring" instead of the outbreak ofpost-modernism has become a historical necessity.Modernism, post-modernism of the parent, to undertake the parent social outcomes,challenges the mainstream culture in the society initiated the aggregation of publicopinion, a great uproar in the elite culture and popular culture. Postmodernism promotesdiversity, focusing on the historical context, eco-conscious design ideas alsoincreasingly identified themselves, decorative forms is also increasingly important asthe bearer of culture reflected on the design of objects, colorful decorative look by thepublic loved and welcomed.Design industry in the development of increasingly refined branch furnishings artyoung interior design deepening in recent years, its functionality and content have alsobeen to expand and extend. Some of the characteristics of the art furnishings is veryadapt to the changes in the pursuit of the mass consumer culture, first of all, the art ofinterior furnishings indoor space most closely with the user’s relationship; Second, it isunique in that create atmosphere irreplaceable; third, the furnishings in the interiorspace can reflect the user’s aesthetic taste, economic empowerment and social status, tomeet consumer psychology; Finally, the broad participation of the art furnishings,designers no longer design activity completely dominated, the audience is no longer asimple recipient of this interaction reflects the characteristics of the public.This conception of history as a mirror, in accordance with the time line to tease outfrom modernism to post-modernism in the building under the auspices of interior designand furnishings context of the development of art, design practice for the theoreticalanalysis based on a combination of macro argument with microscopic analysis, theoryargument with examples of the method of combining furnishings Art in the environmentof the times, thinking the consumer and the general public of its profound impact, in order to establish a style of art furnishings, functional development of integrity,regularity macroscopic and reasonable to assume the general trend of the furnishingsart.