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Analysis Of Contemporary Uygur Women Headscarf State

Posted on:2014-05-18Degree:MasterType:Thesis
Country:ChinaCandidate:J LuFull Text:PDF
GTID:2251330422458363Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The headscarf is an important part of the clothing culture. In different ethnic andcultural fields, it shows a different context characteristic, which constitutes thediversity of the headscarf. Uygur women with headscarves has a rich ethnic andcultural characteristics, it’s one of the most representative Uygur clothing culture,and it’s also the important part in Xinjiang clothing culture. Through thedevelopment and changes of contemporary Uygur women with headscarves in theprocess of urbanization, it can provide some reference value for Xinjiang clothingsystem; contribute to an understanding of traditional Uygur cultural factors and thereason for the change in the process of urbanization. It plays a very important role ofinspired thinking for.understanding of diversified cultural characteristics Uygurwomen headscarf culture.This allows us to know the real needs of the public visualaesthetic of the current Uygur women and cultural appeal exactly.Based on the research of contemporary Uygur women headscarf as the mainobject of study, through field research, data collection, using several methods ofinduction, comparative study of contemporary women headscarf, history, statusdisplay, texture, pattern, such as dressing up the corresponding description, and onthis basis, combined with the relevant picture information and historical data themulticultural factors, the cultural factor of contemporary Uygur women headscarfembodied in modern city process, in-depth study.The article is divided into five chapters. The first chapter, the introduction, theresearch background, literature, research methods and innovation of research andinadequacies of contemporary Uygur headscarf made the introduction. The secondchapter, the description of the image data Uighur headscarf, showing the end of thenineteenth century to the end of the twentieth century, the development of the Uighurheadscarf. The Chapter three,Uygur women headscarf in the process of urbanization,headscarf and a mix of clothing and separate scarf description introduction in majorcities zoning. Chapter four mainly description aesthetic perspective of specificfeatures contemporary Uygur women headscarf from the headscarf bandage, color,material and impact of multicultural. Chapter five mainly through compared withdifferent ethnic and national contemporary female, effects of integrated and subjectto the contemporary Uighur women headscarf, showing off their typical features anddiversified side.By contemporary Uygur development and changes in the process of the moderncity, concluded: Contemporary women headscarf have a strong national identity and cultural history of the product, its existence and development adapt to the Uygurtraditional culture. The material, pattern, color and dressing in the process of modernurbanization development, reflect the characteristics of the diverse cultures, and inthe long-term development, the formation of the unique style of the national aestheticorientation and cultural and artistic value.Expect this study will help the understanding of contemporary Uygur costumescultural characteristics, in order to fully understand the aesthetic characteristics of theXinjiang Uygur headscarf culture and cultural identity, the process of urbanizationand its multicultural society, raise awareness of understanding the Uighur publicaesthetic.
Keywords/Search Tags:Uygur, headscarf, the process of urbanization, the public aesthetic, state
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