Study On The Popularization Of"China Talent’s Show"

Entertainment program which rises in the western country is the product of massculture and consumption culture. It entered China at the end of20thcentury andthereafter grows up rapidly. The National Talent Young Singers Contest starting in1984and then Super Girl broadcast in Hunan TV witnessed the whole process ofentertainment programs in China. From2005to2007, various kinds of entertainmentprograms came into being on TV, and then some problems were exposed. Audiencerating-oriented management model directly leaded to barren, vulgar and impetuousprograms and even some beyond duty, which attracted the attention of StateAdministration of Radio, Film and Television and then were prohibited. In2010,entertainment programs were in their lows. However, China’s Talent Show unexpectedlyattracted both the mass and media’s attention.China’s Talent Show which gains great success in both audience rating andeconomic interests, receives good reputation in the aspect of social interest. SARFTconsiders “it manifests the co-existence of mutual interest parties and mutual culture,and embodies our cultural image and culture succession. Through individualperformance, the pursuit of culture is released on the stage. It makes it.” The influenceof China’s Talent Show on the mass is far beyond Super Girl.Why China’s Talent Show can outstand among various kinds of entertainmentprograms under constraints of SARFT? In this thesis, the reasons for the success ofChina’s Talent Show are analyzed, and simultaneously main problems and severaladvices are given in order to show the authentic aspect of entertainment programs andprovide a successful example for entertainment programs to go further in future.