Song Dynasty Prose Studies Three Books And Arts

This assay is divided into five chapters. The first chapter concludes thedevelopment on Pian Language, including the process on Qin Dynasty, HanDynasty,Jin Dynasty, Tang Dynasty, and so on. The thesis is about the three ancientinformation research, including “Four and Six Language”,“Four and Six onZhu“and “Four and Six Language on Yunzhuang”. Since the second chapter, I wouldtry to analyze from the perspective on the creative methods, meaning and values.“Four and Six Language” written by Wangzhi is the core of the second chapter,and also the important part of this essay. It is the basis of “Four and Six on Zhu“and“Four and Six Language on Yunzhuang”. The second chapter is divided into six parts.The first part introduces the current edition on “Four and Six Language”. The secondpart analyzes the orientation of Four and Six Language. The third part analyzes theperformance of antithesis as the fundamental method on Pian Language. The forthpart analyzes the the performance of Allusion as the fundamental method on PianLanguage. The fifth part analyzes the the performance of embellishments in writing asthe fundamental method on Pian Language. The sixth part analyzes the developingprocess and reasons of Rhythm, the creative method.The third chapter analyzes “Four and Six “written by YangYuandao. The same as“Four and Six Language”,“Four and Six “is also the criticizing paper written in SongDynasty. For it has been written in the second chapter, it would not be analyzed here.This chapter is divided into four parts. The first part introduces the existing edition of“Four and Six”; the second part introduces the performance of antithesis as thecreative methods. The third part introduces the performance of Allusion as thecreative methods. The fourth part introduces the performance of embellishments inwriting as the creative methods.The fourth chapter analyzes and makes research on “Yunzhuang’s Four and SixLanguage “written by Yangyuandao. In my opinion, the analyzing model on“Yunzhuang’s Four and Six Language “is similar to “Four and Six Language” writtenby Wangzhi and “Six and Language’s talk on Zhu” written by Xieji. This chapter isdivided into four parts. The first part introduces the existing edition of “Four andSix’s talk on Zhu”; the second part introduces the performance of antithesis as thecreative methods. The third part introduces the performance of Allusion as thecreative methods. The fourth part introduces the performance of embellishments inwriting as the creative methods.The fifth chapter concludes the value and meaning of“Four and Six Language”,including three perspectives: the situation of criticize of Pian Language before theFour and Six Language occurs; the origin of Four and Six Language; the impact ofFour and Six Language.