Destruction And New

The paper selected during the war "Refugee Painting" as the entry point of the study, because the kind of work epitomizes the Chinese painting from "How to draw" to "draw" the characteristics of the times. During the war displaced persons produce more with the Japanese invasion, aircraft bombing and the Yellow River in man-made."Refugee Painting" means not only the displaced material, is the spirit of the cultural level of pain. It is the painter a direct manifestation of the brutality of war and the plight of the people, a strong indictment of the evils of Japan’s war of aggression. Relates to the subject matter in the context of Chinese painting painting steering schema to explore changes in the function and value, which is a particularly important issue in the Modern Transformation of Chinese painting in the20th century historic changes."Refugee Painting" in modern history is also part of a very special historical period polymorphism. This is the "Refugee Painting" from a sociological point of view. From the orientation on the theme of traditional Chinese painting, the figure of displaced persons to meet the reality of Chinese painting steering problems in the national calamity reality of the war of resistance, that is, how the performance of Chinese painting reality, into the trend of the times of the war of resistance for national salvation."Refugee Painting" in the figure is an important perspective in civilian sectors as the performance of Chinese painting objects, including people in exile as the theme to the tragedy of war, and depicts the real life of the civilian population works. Such works represent the shackles and traditional Chinese painting breakthrough copying the aesthetic ideas, able to meet the requirements of reality, political and revolutionary, from the mountains to the crossroads, and change in the value of the function, and artistic style. This is the perspective of the history of art "Refugee Painting".Questions from the image into the social and historical basis for the reconstruction of a reasonable historical context, in order to tap the deeper meaning behind the image."Refugee Painting" in the sociological sense represents a state social phenomenon, is reflected in the history of art for a new painting schema and artistic style. When the figure of displaced persons as a group value of a specific historical period orientation, how to treat? This requires a new kind of viewing angle, this article is that this study.