In The Theory Of Vernacular Novels Since The New Period "ghost Narrative"

When we read the new period native-soil literature, it was a ghost, attracted to draw breath. Jia Pingwa’s "Taibaishan story", Chen Zhongshi ’s "Bai lu yuan", Zhang wei’s a song of hedgehog, and Mo yan’s the life of the fatigue and Yan Lianke’s the rake of the mountains, so on. It will be a ghost, the spirit of the article, with an original way of thinking and habits, and spiritual consciousness to the original animal story, ghosts stories together into a people and livestock, and one mixed.This paper is divided into four chapters:the first chapter of the new period of "ghosts" of narrative and to this category to the narrative of the theorems; the second chapter analyses the novel from geography to the text, feelings, two aspects of "ghosts" novel narrative classification;the third chapter from the angle from narratology the structure, and images of the technique of "ghosts" to analyse the narrative; Chapter iv of the study focused on the whole native-soil literature and rethink the ghost story and found his new novel in time the country was returning.This innovation, is not only for the phenomenon of combing through text, but tried to examine, conflict, the specific social and cultural context, from narrate, writer of the experience and social psychology and need different angles probing:"ghost" in his novel but traditional and folk beliefs pragmatic color and mental state, as was subjective effort and will be held in the folk culture, and then presented to the attention and thought, that has sparked the historical significance and value of life of the question of the new period in the new period of native-soi1literaturespace and the narrative of the transition to a rigid approach of the performance, a space of thinking, in mysterious effect on readers.