Gao Fenghan Calligraphy Research

The early years of Qing Dynasty, calligraphy is still the mainstream of the development of school books, rulers preferences about this period note study method object. Fu Shan, Shi Tao and others to put forward the concept of the traditional sweet art calligraphy calligraphy style is a great impact, and directly affect the after the emergence of YangzhouEight Eccentrics" trend of thought.Stele Study prosperity and decline of Qing Dynasty calligraphy is the calligraphy history the most important chapter. This period is calligraphy and epigraphy to match the phase, it is" Yangzhou eight" art beginning.Gao Fenghan is in calligraphy, epigraphy to match the stage, he is not only the landmark school Renaissance atmosphere influence, and was a leader in calligraphy.Gao Fenghan’s special is not only in the inscription to match the phase, more important is the middle-aged disease right arm and had to switch to the left as waste words, thus creating a jerky, unadorned, his later book wind face of odd. This book wind just to meet the" Eight Wonders of Yangzhou" the art aesthetic. Specifically, is the" Eight Wonders of Yangzhou" which shares the trend of art made Gao Fenghan such a big reputation. But from the artistic perspective, in contrast to its contemporaries" Yangzhou Eight Eccentrics" other researches on this trend to change, Gao Fenghan is more passive.This article from Gao Fenghan’s book the wind background, a comprehensive analysis of its early on from the learning, and the extraction method on early and late Book wind effects, as well as the method of the object Book Theory of change. And the book the wind with the same time" Eight Wonders of Yangzhou" Book wind were compared, summed up Gao Fenghan in this unit in the active and passive when adaptation.This paper also from physiological and psychological factors to analyze Gao Fenghan’s disease arm after the book the winds of change, as well as the books before and after the contrast of wind, and with Jin Nong at the same time book wind comparison, Gao Fenghan Gao Fenghan in the" Eight Wonders of Yangzhou" art in the passive, back to Gao Fenghan in the history of Chinese calligraphy more accurate positioning.