The Research On Portraits Of Gao Fenghan From The Perspective Of Social Culture

This paper focus on Gao Fenghan's portraits and thinks that there is a correlation between Gao Fenghan's mental state and the portraits in each period.There are three characteristics in portraits of Gao Fenghan with moods influenced by different periods.Not before,the portrait characteristics mainly for Gao Fenghan is hovering between officials and the hermit kingdom ambivalence.The choice between Gao Fenghan earners ideal comes from his father and family expectations high and its people have tried this ambition as officials ideal.Therefore,Gao Fenghan cannot give up easily,but after the long-term experience reality hit a wall.As a result,Gao Fenghan then came the hermit intention.Earners,Gao Fenghan portrait of features are characterized by the complex psychological reconstruction.Although Gao Fenghan not court reuse for a long time,but still for saving their country as full of expectation,but when once "salvation" ideal disappeared,Gao Fenghan gradually from hope to despair,shifted from fantasy hope for emotional responses to escape from reality.The damage for Gao Fenghan's his reputation is the most unbearable humiliation,so Gao Fenghan with an uncompromising attitude to face the situation of being falsely impeach at this time.After being dismissed from office,Gao Fenghan's portraiture is characterized by a calm and open-minded positive psychology,which welcomes a new stage of life with a calm attitude of recognizing reality,facing reality and accepting reality.Through the common image building in the three periods,it can be found that the portraits of Gao Fenghan are not a group of independent portraits,but an autobiographical history with overall significance,which is a direct reflection of his mental journey and presents the diversified cultural personality of Gao Fenghan.