| Along with the Western countries are entering the post-industrial society of the pace, postmodernism came into being, in the various fields of art. Parody, deconstruction, tiles etc is full of works of art of the game thinking, debut in the film industry also began to go on stage. United Kingdom Director Guy Ritchie was one of the young. He uses his unique movies thinking, provided by the borrower’s postmodern context field shows us a rock-like movie show of England. Two of his most successful works of the two poles of opium and the stealing and robbing abduction, making it not only a blast of red, similarity of the two films presented in the text makes Geric found their own unique style of movie. He of attempts to, in must significance Shang promote has United Kingdom film of development, he of new of film style, not only in art Shang and social culture psychology and film by all of angle worth thin research, while due to its film in performance content, and spirit temperament and art making, area of avant-garde sexual and experimental sexual, in must degree Shang effect has other national film of Director of creation, in China of Ning Hao is which one.Young director Ning Hao as directors of representatives, by virtue of their unique wisdom and humor, and the skilful use of film techniques, Geric film style not only the success of transplantation to the local community, and with his unique aesthetic value. His "crazy" series of films in film will occupy an important chapter in the history of China."Ning Hao" in the contemporary Chinese movies, is a worthy object of analysis and research, on his film on the art, business and culture has multiple values, therefore, has caused widespread concern included film scholars, experts. However, the same fate as Guy Ritchie makes this new movie mode or do not form a type of Ning Hao is difficult to determine the "landscape in the mist"--so why didn’t the movie mode of forming some kind of trend in a timely manner? Or two so the success of "crazy" why the film failed to lead China’s film to a certain "type" in the keywords field? Then, if the next film formation does not have this type of environment, what kind of social context in order to develop this type of it? This type exists in Chinese movies, what are the implications? This is our present problems to be solved. Try this Guy Ritchie films with Ning Hao’s "crazy" series, compared to Ning Hao for Guy Ritchie films cause analysis on success. The paper the main research method of comparative studies and author, with the related theories of postmodernism. And, focus on the successful transplantation of Yu Ninghao analysis and its enlightenment for Chinese film produced by the creation of summary and grooming. Main direct viewing, to study methods of market research and related information for reference. |
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