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The Tang-song School And Their Epitaph Inscriptions Classes’ Style’s Research

Posted on:2013-06-28Degree:MasterType:Thesis
Country:ChinaCandidate:H YuanFull Text:PDF
GTID:2235330395969539Subject:Ancient Chinese literature
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In this paper, the text of the Tang and Song School writers is the centerof the paper, and will make some general analytical. Focusing on the Styleof the Tang and Song School writers’ epitaph and Monumental writing’sstudy.In order to be able to reveal the unique creative style of the Tangand Song School writers.This paper divided into four chapters.Chapter one, Specific explanation of the epitaph and Monumental writing.Due to the numerous cultural and sports of the Chinese epitaph andmonumental writing, many people do not distinguish between the epitaph andMonumental writing,and do not quite understand the style of inscriptionsclass, Which are necessary for some combing explain this type ofliterature,Including the name and the writing style. Monumental writingInclude tombstone and epigraph, the former on the ground, the latter buriedin the ground.In the tombstone,there are title like Bei,jie,Mu Biao andso on.There are Chronicles of the deceased’s life biography in front ofthe epitaph, it’s Zhi,and inscription for In praise of the deceased, it’sMing. Epitaph laid particular emphasis on writes person, it’s biographyof figure. Well, nobody’s perfect, for quite some time epitaph formed it’swriting style,it Inherited the tradition of Ding Ming Wen notescontribution and virtue, praise philanthropic and hide wrong-doing,generally speaking it will not write down the villainy of the master ofthe grave, make best use of the advantages and bypass the disadvantages.Chapter two, find the position of Tang and Song School in history. Firsta brief exposition on Tang and Song School’s argumentative name and member,Yang Ming’s philosophy of the mind has very deep and wide social influencein the Ming Dynasty, the Tang and Song School writers especially be affectedby Yang Ming’s philosophy of the mind, so we shall give attention to thisinfluence.Chapter three, come to the main part of the paper, divide some sectionsto analyze the Tang and Song School writers’ epitaph and Monumental writing. Find their writing style By appreciate and study their epitaph andMonumental writing.Gui youguang’s writing is flat and at ease, but havean infinite deep feeling, epitaph is to give a memorial service to a person,so this type of his writing can expression the cruel feeling in his works;Tang shunzhi advance a new theory of “naturally theory”, his style ofwriting take orders of his own Literary views, abide by the rules andregulations of literature and write the cruel feeling. Wang shenzhong,theleader of the Tang and Song School, the first one who combat unhealthy trendsof the Seven tries’ modeled the Qin and Han’ Dynasty’s style of writing.There aren’t embellishments in writing in his works, it’s pristinenatural, attach importance to well cut the events and rational distributionof writing;Maokun,a frank and open man, his works like biography expresshis feelings laxatively, and has high-octane determine in the writing,simple style of writing can express plentiful feeling.Chapter four, it’s a Conclusion, the Tang and Song School’presenceis combat the Seven tries’ modeled ancient Chinese prose, the two groups’literary views have all kinds of connections with contact.The Tang and SongSchool has great influence in the history of literature development, Theywere in the van of literary views and literary thought for the Gong An School,Ai nanying, the Tongcheng School, and so on. As the Tongcheng School becomethe most influential school in the Qing Dynasty, the Tang and Song Schooland their flaunt about Tang and song literature was deemed as authentic.
Keywords/Search Tags:The Tang and Song School, Epitaph and Monumental writing, Pristine natural, Emotion, Writing style
PDF Full Text Request
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