On The Narrative Svnchronicitv Of The Flandres Road

The Flandres Road is the French new fiction writer Claude Simons’one of the representative works, a postmodern nature of the classic work. At present, the domestic scholars focused on:war, death, sex theme, form of painting structure, baroque structure and stream of consciousness, etc. However, the theme and form features just works dominant performance, forming the internal factors of these features is the narrative synchronicity.Because the war and the unique experience of life, Simon used "recall" as novel structure, introduced the movie, painting field skills to scenes and pictures to go all out stick and parallel place, and described in frequent thrust, constantly repeated narrative, the memory, and imagination, combined with dreams, caused chaos in the novel time and space to show the synchronous narrative feature. And this synchronous narrative in the deep sense implies the survival state and a human life experience, so it works for extended connotation. At the same time, synchronous narrative to replace traditional linear narrative, caused the narrative time of confusion, in narrative content produce many uncertainties and lack of items, give readers set obstacles, for the readers’accept form a summon structure, which calls for readers creative reading, namely the readers need to repeat reading, and in the stressed in fill, this has certain influence to readers, further change the modern reader reading habits and way. Synchronicity of the request is to let readers actively participate in, Simon regard this as the opportunity, to try to put the synchronous narrative mode and social status connected. The relationship in the modern society became indifferent, thus cause each other do not understand. Simon’s innovation is to use novel as a window to let readers as participation and to create, and then provides a possibility to make people realize the active spirit exchanges and communication.