The Study On Rhyming Of Southern Opera Using Of Zhejiang Authors In Ming Dynasty

Ming Lyric Verses have a notable outstanding feature, which is using a lot of oral language. So it provides source material of literature for us, the modern people, and the study of phonetics in Ming Dynasty.This article applies the research of "Historical Document Criticism" integrated with "Historical Comparison", refers to Zhong Yuan Yin Yun, attempts to make a through study of15districts,44authors’Southern Opera of Zhejiang Province of Ming Dynasty in Opera of Ming Dynasty,(there are376Xiao Ling and277Tao Shu in all,1581Southern Opera singles) and draws Zhejiang Province in Ming Dynasty Wu Dialect system which is every14rhyme categories, referring to Zhong Yuan Yin Yun Phonetic System and makes simulation and conjecture on them. In the same time, this article finds that it is less5pieces, comparing with Zhong Yuan Yin Yun, it is obvious different with the North accent. The Ru-tone is using less in the Zhejiang Southern Opera in Ming Dynasty, so it is hard to separate it into a single part. Wu Dialect has big affect on the rhyme of the Zhejiang Southern Opera. It affords the source material of literature for us on studying the local accent of Ming Dynasty.Base on the exploration and practice by the predecessor, this article makes a systemic study on the Ming Lyric Verses, and makes delineation and compare on the Zhejiang localism rhyme, those conclusion will get a determinate signification and value on the linguistics and rhyme history, even the opera history.