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A Rhyme Study On Gao Ming’s The Story Of Pipa

Posted on:2016-05-06Degree:MasterType:Thesis
Country:ChinaCandidate:W SuFull Text:PDF
GTID:2295330470476181Subject:Linguistics and Applied Linguistics
Abstract/Summary:PDF Full Text Request
The story of Pi pa was wrote by Gao ming in the area of Yong jia at the end of the yuan. Gao Ming(1082-1359),whose given name is “cheng”,and who styled himself as”Edible orange roots road flyover”, he is at the end of the yuan opera writer. The story of pipa is performed forty-two, with double structure, formed a strong contrast structure layout, there are about fifty thousand words, 4, 500 cases. This article mainly through to the charm of the drama in rhyme word was summarized and analyzed, and summarizes the rhymes of the story of Pi pa in the characteristics and categories of the play system, and make analysis to some special charm of the show in, find out the rhymes of special phonetic phenomena, such as yu and mo divided 、ge and ma shut and so on.Master of the categories of the story of Pi pa in the system basically reflects the "Guang Yun" system of categories, but also has its special charm. Because of the yuan dynasty zhou deqing the produced in master of "rhyme and rhythm of the central" Pi pa ", and the categories of the system of " rhyme and rhythm of the central basically consistent with the sound system of modern mandarin, so will the rhymes of the story of Pi pa in the system with the sound system comparison, of rhyme and rhythm of the central can reflect the development of the ancient and modern phonetic changes, and be able to find out the laws of its development and changes.By using the method of historical comparison, we can also find drama is not only the analysis of the history of Chinese phonetics valuable information, but also can reflect a certain dialect change phenomenon. Due to the development from the end of the northern song dynasty to Ming dynasties, the end of the Jiajing, it is composed of the original "Wenzhou drama" reproduction of the floorboard of the folk art. And as one of the dynasties on behalf of the repertoire of the story of pipa, always fine produced in Wenzhou area, singing mainly in though, differs from the rise of san qu of yuan dynasty drama, also known as dynasty. It is also to a certain extent, reflects the features of the dialects of voice always fine in Wenzhou.Academic circles at present for drama with rhyme studies have begun to focus on, and has formed the opera phonology, the subject its essence is the drama of the elementary school, aimed at the most economical, thoroughly solve the problem of opera consonant. And know the key to the problem is "articles and music integration", this is the "Vocal music together”. Through the dynasties of rhymes of the story of Pi pa in the situation compared with rhymes of the poetry situation, analysis the difference of the opera with rhymes and poems with rhyme, in order to better sums up the characteristics of drama in rhyme.This paper mainly consists of three parts: the research situation, the categories of the story of pipa in the system, the rhymes of the story of Pi pa in the characteristics and the comparison of the voice and dialect of rhyme and Zhongyuan phonological.
Keywords/Search Tags:Gao Ming, Opera with rhyme, Yongjia dialect, Zhongyuan phonological
PDF Full Text Request
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