The Research On Rhyming Opera Of Qing Dynasty

This paper attempt to make a through study of 67 Northern Opera writers, 206 Southern Opera writers in Opera of Qing Dynasty,and draws the northern and southern opera systems which is every 13 rhyme categories.From the researching on rhymes in Qing Dynasty,it has five conclusions that: 1 The opera's rhymes reflect the sounds of Qing Dynasty.They have some differences when in Qing Dynasty and Min Guo.From the northern dialect,we can see that it has small change in Xiaohao.Gege and Gumo rhymes and so on.But Zhihui.Gengqing.Zhenwen.Xianshan rhymes have some large changes.Ru Sounds had use with other sounds.In the southern dialect,Zhiyu Gengwen and Tianhuan rhyme current proportion are added with the times go on.The rhyming of Southern Opera has some especial forms.First,the open and down sounds are confused.Second,the Ru Sounds use by two forms.2 The rhymes ara involved with politics and cultures.3 The southern sounds are different from the northern them.4It can be changed by the voice.5The opera rhymes are not the same as speaking languages. The paper make use of comparing the rhymes in the same time or the same section so that we can see the sounds changing rules.It has been pointed out that research on Opera in Qing Dynasty can be intensified at wider fields,so as to supply with informations for study the linguistics and rhyme history,even the opera history.