Overview Of Family Ethics Drama In The New Century

From the new century, the Chinese family drama in the1990s on the basis of further growth into the boom phase of the rise in the overall development process towards a new period of a diversified development.The first chapter mainly analyzes the important nodes, and at the same time briefly introduces several popular play, like to take this opportunity to review each classic, and a shallow analysis these family film of popular reasons.Today, China is increasingly filled with materialism, money worship, hedonism brought about the moral crisis of the entire social and emotional desert. Family drama plays out at this stage innovations to adapt to this change, to break in the creation of "broken families, broken emotions, broken marriages," the plight of the mode instead of focusing on the reality of social life, material, real showing ordinary people’s daily life is characterized, by this real life to reflect the entire social reality and historical change.The second chapter analyzes the new phenomena of this period. Strengthening of the civilian sense of the average person narrative protagonist, daily narrative, non-violent conflict highlights of today’s family drama on the return of the creative principle of realism. This persistent charm of a family drama based on the increase in civilians’ perspective on the basis of humane care.At the same time, the family drama of the innovations of those who broaden horizons, to look farther into the vast Chinese rural concerned about the hundreds of millions of Chinese farmers’ daily life and emotions. By the binary opposition between the urban and rural areas to the gradual integration of the development trend of more and more obvious as the interaction between urban and rural areas more deeply explore the drama of the urban and rural differences in the growing prosperity of derivative family gossip touching story for the family the creation of drama provides a wealth of material.However, the family drama in a period of rapid development in the quality passable, the whole creation is a mixed. The third chapter analyzes some main problems. The first is the excessive legendary. A figure some plays is super-normal, and conflicts are not based on differences in character, but from a material conflict of interest between family members. In accordance with the excessive strange logical development of plot and dramatic conflict of the audience to see the greatest feeling is too fake, too unnatural. Followed by excessive commercialization trends. A lot of family drama character set, the story is a high degree of similarity, product placement flooding, a serious impact on the aesthetic needs of the audience.