Research On The Personal Practice Of Landscape Painting With Classical Garden Theme

As the extension of landscape painting in the theme of classical garden landscape painting,its generation and development have a direct relationship with the rise and fall of classical garden.Classical gardens themselves were deeply influenced by landscape painting,both of which were the products of the ancient literati’s sense of nature and deep thoughts,and both reflected the Chinese ancient literati’s view of nature,cosmology and even outlook on life to a certain extent.The ancient theories guiding the creation of landscape paintings also guide the design and construction of classical gardens.Both of them have the same ideological basis,and they learn from each other and integrate in the process of development,which makes them have a breakthrough in their own development.Classical gardens adopt the layout idea of landscape painting,with the "three-dimensional landscape painting" of the United States.Landscape painters’ love for classical gardens also extends the theme of landscape painting,and has become a place for many Chinese painters to express their feelings and cultivate their minds through the ages.The definition of garden itself is a more general concept,coupled with China’s complex garden system,so the creation of classical garden theme landscape painting also has a very broad space for creation.Combined with the author’s creative experience and thinking,This paper studies the development of classical garden and landscape painting from the integration of classical garden and landscape painting,and lists the representative figures and works of the past dynasties to strengthen examples.The relationship between them in layout skills,space construction and artistic conception is also studied.The connection between classical garden and landscape painting provides many methods for the creation of landscape painting,but also raises many questions.In this paper,it also analyzes the different forms of expression produced by the different processing methods of the painter in the face of the nodes of the garden landscape,and demonstrates the application and understanding of the linear elements in the garden,as well as the subjective mobilization of the virtual scene and real scene.In the process of the creation of garden landscape painting,also found some problems,such as the environmental feeling in the process of visual transformation,visual and non-visual sensory form feeling of painting performance problems;In the integration of natural environment and human environment,the painter should make a choice between rich natural landscape and human landscape;As well as the 20 th century and the contemporary classical landscape garden theme of The Times characteristics and regional issues made a multi-angle discussion.Combined with the author’s personal thinking and perception of creation,this paper also summarizes the subjective emotion and value cognition of classical landscape paintings in the process of creation and theoretical research.I hope that through the author’s above research,for the current classical garden theme landscape painting research to make a certain supplement.