| Chuang Tzu in the book created a series of Deformed shape the image of the whole residual Germany, to the people left a deep impression, which in Chinese literature and even art history is unique. Chuang Tzu said, "the Deformed persons, abnormal in people and Mou in the day." We believe that the so-called sub-Freak is known to the world those together in the days of Germany Germany is the people; and Zhuangzi advocated by the "moral" We can understand the highest human accomplishment state, its essence is the simplicity of natural nature.Although most of the ugly appearance of these defects Freak, but they have unparalleled charisma can be said that the whole art form of the typical residual Germany. Zhuangzi in the creation of showing preference to the Freak, there are profound reasons: first, the mysterious Chu Shang culture has a profound impact on the Zhuangzi; Second, Zhuangzi live in troubled times indeed gave rise to too much pain and destruction; Third, the residual disease in the body a certain extent, more people can actually feel the suffering of this world, so that a higher spiritual sublimation; fourth, lonely Zhuangzi need to create such a batch of text form All residual Germany's "friends" with them "swim in the Xing hai outside", resulting in a false comfort; Finally, from the text itself, deformity and Germany were all extremely helpful to produce a wonderful the art of tension, the Chuang Tzu the art of thinking more profound expression. Deformed shape the image of loving Zhuangzi is completed with a series of extreme examples in the body beyond the aesthetic, not just thin ugly. It can be said of this series described by Chuang Freak's image, from the suffering of real human world, rather than God-given way of their day when the soul leaves the mark.To Confucius, Mencius, represented by both Confucian and spirit, so the concept of advocacy gentle art of ancient Chinese literary theory had a tremendous impact; contrast is the old, Zhuang Taoism is represented by the aesthetic ideas of dialecticalview, light weight form of God, verbal expression, this is precisely enrich the ancient Chinese art theory. Two thousand years, whether it is painting or literature, art, unique art of calligraphy or Chinese, are spontaneously reflect, re-"God" and light "form" the tendency, even in pursuit of "charm" and intends to go beyond the "shape "to achieve a very high realm of pure art. This paper argues that to be important features of ancient Chinese art that is deeply shaped by the Zhuangzi view of the entire remnant of Germany. |