A Study On The Exaggeration And Deformation Of Images In Personal Creation

Since the 1980 s,Chinese prints have made great progress in the process of conceptual transformation,context change,visual revolution and ontology construction in the course of the development of more than 20 years,and on the other hand,The edge,so in the era of change and cultural transformation of prints in what attitude to intervene in the development of contemporary art as a print author to consider the issue.The exaggeration and deformation of Chinese traditional art is rich in results,and the author hopes to learn from the artistic language which can be applied to his own prints.The article first analyzes the exaggeration and deformation of art,analyzes the works of the five painters,Chen Hong shou in the late Ming and early Qing dynasties,and the works of the three painters of the modern Japanese printmaker Dong Fangzhi,revealing the art from the Lohan to the ordinary people The image of exaggerated deformation development behind the historical reasons,more importantly,the painter because of their inner desire to show.In the second chapter,through the analysis of the image of Guanhou Luohan and the image of Zhong Kui,we can find the deformation factors such as the structure,the lines and the black and white ash.The third chapter is based on the artist’s creative psychology and creative methods of reference to the use of the author’s creation of a comprehensive analysis.And strive to use the exaggerated deformation method in the "nomadic" series to express the author’s understanding of the spiritual life of the present nomadic and the Mongolian traditional culture.