| Mukam is the music phenomenon widely existed in West Asia, Central Asia, South Asia and North Africa. This paper will take Uygur Mukam music as the research object, which involves the 12 Mukam of Kashgar, Dolang Mukam, Turpan Mukam and Hami Mukam that spread in Xinjiang area widely. In addition, in order to explore the history of Uygur Mukam in our country, the author will also take the Silk Road in the history of our country as the outspread of the article. However, we can see that the Mukam phenomenon also existed in Islamic and Non-Islamic country in Asia and Africa. Through the method of comparing research with the purpose of looking for the development of the Mukam, we can explore the force and counterforce between country's culture, art and language exchange so that concluding the true face in history about the etymology study and providing better reference to the construction of Xinjiang Uygur MukamThis paper utilizes the theory of Etymology to discuss the occurrence, development and change about the Mukam music particularly and truly from the historical perspective with the purpose of studying the Etymology about language, terminology, and specific appellations about the Mukam. In specific study on Etymology, the author put the historical development and the changing with Uighur in first place not only observing and studying the unique appellation vocabularies and the elements that constitute the vocabularies (root, affix and the combination methods with these elements )but also exploring the changing on form and meaning of vocabulary elements extensively and deeply in the entire historical developmental process giving attention to the leading role in the vocabulary formation and development about language spread.From contrasting and summering mukam art in different historical cultural environment background from disparate style of art, and in its crystallization driven to social productivity generated enormous impetuses. |