By Analysis Of The Flattened Space - George Andrews Works

Georges Rousse was a famous contemporary French artist. Since 1980s, he has been engaged in an artistic creation that taking the unique photo from a specific angle for a selected deserted building together with the paintings made by Rousse in the building. We can see the integral picture only through a stationary position, once changing the viewing angle, the images will be disintegrated. Such is the most important characteristic of Georges Rousse's works. He uses this method to relate the building and painting to the photography. And what's more, he makes use of people's visual habit to compress the three-dimensional space into a plat and creates an illusion to the viewers. This article aims at discussing the problems about Rose's space, including the creation way and the process of dealing with the space in his works. The saying of flatting the three - dimensional space originated from the painting. Through the painting, the three-dimensional space is transformed into the two-dimensional flat space. Here I want to discuss the way of plating the real three-dimensional space. Georges Rousse created in the real building space which is regarded as the traditional materials such as paper and canvas, and makes the painting which is regarded as a plat pictures on the three-dimensional space, thus carries out the essential way to plat the space. Certainly, Georges Rousse sucks knowledge from the art history. By means of arranging the relational knowledge and researching on the art history, we can understand more clearly the development of the spatial processing and the works of Georges Rousse's.