| The diversity of visual languages enables us to constantly participate in new artistic experiences.The special charm of photographic language lies in its ability to "copy" reality and at the same time pull away from it,creating a moment of distraction in the common daily drawings,which is rare and romantic.The study of mental space and its application in visual creation are used to fill our lost reality,for a moment in our trance,the external reality and the illusory imagination were exchanged,at that time,visual wonders attempted to explore the subconscious of human beings.Visual images affect the viewer’s nerves and memory through their internal structure,thus promoting more possibilities to interpret images.Based on our cognitive psychology,when viewing an image,does it invoke our intuition,illusion or knowledge?If only from the atmosphere created by light and shadow to one-sided understanding of the image,that probably doesn’t get close to the truth,reading images sometimes requires rational involvement and a reverence for spirituality.For example,understanding the link between consciousness and images,in terms of psychological and conscious construction,understanding these structural relations is an unavoidable problem in the creation of good literature,film and photography.In literature,the superficial description of the character line is different from the audio-visual language unique to films.As an important element,sound in films is easier to break through the limitations of time and space.Although photography is direct,it also has its own media limitations.It is timely to explore the performance of interdisciplinary fields in photography under the background of contemporary art.This paper takes the study of "visual psychology" as the starting point,analyzes the creative intention,and further investigates the relationship between consciousness,narration and photography.Above,constitute the direction of the author’s visual theory research in photography. |
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