On "Middle-aged Writing"

"Middle-aged writing" is one of the important Poetic Discourse in 1990s, but in the 90's Poetics Construction, it did not reach a consensus. Discusses the major differences of opinion as a tripartite body:The "intellectual writing" group, represented by poets and poetry researcher, "middle-aged writing" Poetic Art as a mature symbolic representation. "Middle-aged writing" in the "middle age" is not physical age, but "1989" expected to achieve after the poet writing turned to the writing of a mature state. The "Folk Writing" Poets and Poetry does not endorse the symbolic meaning of "Middle-aged writing" which was given by "intellectuals writing" group, they think, middle-aged writing "state is almost all long-lived poet, writers may experience the process of writing a "slow, inhibit, open" period. Discussed from a wider range of "middle-aged writing" are these scholars, which is represented by Wang Furen and Chen Sihe, as they think, "middle-aged writing" is closely related with the physiological age, but it also reflects a "middle-aged culture". The characteristics of culture are not "90 Poems" privilege, which is the product of the combination of the human subjective will and the objective external environment that can occur any time. Given the need to clarify the complex and entangled relationship among these concepts, the paper is divided into five chapters, respectively, from the proposal of "middle-aged writing" discourse; the quality of "middle-aged writing" discourse; the ideological focus of "middle-writing" discourse; the formal characteristics of "middle-aged writing" discourse and the thinking Paradox of "middle-aged writing" discourse to start on.The first chapter describes the proposal of "middle-aged writing" discourse. Under the Context of social transformed, the intellectual attitude changed and the past Writing failed, "Middle-aged writing" not only one writing strategy which is respond to reality, but also one expectation of a quiet, open writing style. Chapter Two main analysis the differences and connections between "middle-aged writing" words and "Mesozoic", "middle generation", the traditional literati "Autumn Sad ", "nostalgia", Roland·Barthes's "Writing the fall state", highlighting the unique quality of "middle-aged writing" words.The third chapter mainly on the two ideological discourse focus of "middle-aged writing". First, the "middle-aged writing" in the social transformation of marginalized intellectuals put forward by the context, this "middle-aged writing" discourse of the mainstream ideology of a detached attitude to show that this alienation is a gesture kind of "middle age" wisdom of the show, in writing, expressed as the "sense of irony" and "comic spirit" of the attention. Secondly, in the view of history (time view), the "middle-aged writing" to give up the holistic concept of time (history of ideas), "linear" concept of time has morphed into "debris" of time. In addition, the overall loss of sense of time also makes "middle-writing" for the time that can be reused endlessly. Reflected in the poems is the same event in the "proliferation" type statements.The fourth chapter analyzes the "middle-aged writing" in the form of discourse features. "Middle-aged writing" in the form of words is different from other poetry mainly in the different characteristics of the "narrative" of attention; Speed of slowing down; creation of "non-stylized," and "image space of time".Chapter five analyzes the "middle-aged writing" thinking paradox. "Middle-aged Writing" is on the 80 years since the vigorous development of poetry, "Adolescent Writing" model of resistance strategies, this "either-or" the opposite mode, pressing the development of literature and more likely to have its own limitations. Meanwhile, the "time" view of "middle-aged Writing" into the conflict between modern concept of sexual and post-modern. The paradox of these stem come from thinking of individuals who applied to the social upheaval of the irreversible effects of anxiety sensitivity and the search for breakthrough."Middle-aged writing" reflects the nature of poetic discourse that people want to achieve maturity of the inherent anxiety of modern poetry, since the late 80s, many poets and poetry critic for this sort of discourse, to the pursuit of the aesthetic characteristics and the art of poetry gradually clear, " middle-aged writing "tends to complete the construction of poetic concepts, but also will highlight the inherent paradox. But "middle-aged writing" poems constructive ideas and poems, to the growing Chinese contemporary poetry has had a positive impact, while the late 90s, a lot of poets and poetry critics of the "middle-aged writing" discourse supplementary statement on the early "dualism" of thinking the role of a certain correction. After entering the new century, the social function of poetry ever to strengthen not only individual life experiences focused, but also for public events has also been writing poetry gives a certain "action" force. Such a welcome change, from the nineties poets poetry to explore the endless speech, for which "middle-aged writing" and "intellectuals writing", "personal writing" and one, a leading poet of the nineties "classic poets "and" classic "is one important way, its importance can not be ignored.